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Category:    Home > Essays > Video Formats > Fun With Dead Video Formats!

Fun With Dead Video Formats!

 

 

One time, a wise man once asked, once a technology is finished, where does it go?  Is it trashed?  Is it forgotten?  Until recently, new electronics in the U.S. would settle in and be played to death for years, even decades, but that is not the case anymore.  In Japan, newly introduced technology has a life-expectancy on average of only 18 months!

 

Skipping the puns about things being cheap, I am ever amused on how on one side, you get a bunch of people complaining about an old format, how bad a format is, how disposable it is and how it was somehow such a burden on both them and humanity as if it were an incurable disease.  Then when it becomes available as cheap and for next to nothing, a bunch of people swoop in and suddenly want to see it, enjoy it and check out what could have been.  You know, the case where a store has a bunch of discs and/or machine(s) cheap or “Uncle George” has a collection and/or player gathering dust he is willing to part with or let you at least look at.

 

So what if the picture quality is analog in almost all the cases or if the content is limited, the fun is what these things play like and also how bad that audio may or may not be.  Recently, video formats and video games have been experiencing their first wave of nostalgia.  Who knew?  Let’s take a look at some of the video technologies that actually made it to the consumer marketplace and are goners…

 

 

Sony Reel-To-Reel Videotape – Made for the consumer market and recently featured in Paul Schrader’s Auto Focus (where they managed to find one that had never been opened to make the feature film with!) you get a format that was fuzzy, black & white and at least could copy TV shows, very badly.  In Schrader’s film, it is used to shoot sex!

 

U-Matic – Sony’s precursor to Betamax (250 lines!) was usually used by TV stations, though a few used it to tape shows at home and the picture was an improvement over the reel-to-reel system.  However, despite the tape being larger than VHS or Beta, it could only hold an hour of video!

 

Betamax – It had a better picture that VHS, but lost the tape war to VHS because Sony thought they could take over the home video market and dominate it as they had for TV stations using U-Matic and Beta.  However, the VHS camp went on a licensing frenzy and buried the better looking tape.  Like the previous formats, it started with lousy analog sound with much tape hiss on a small segment of the slow-moving videotape.  Like VHS, Beta began offering Dolby Noise Reduction on their tapes much like audio cassettes, but that did not help.  Then both offered Hi-Fi sound, which was an FM Stereo audio signal weaved into the video signal, which was state of the art at the time, but for Beta, it did not mater.

 

Selectavision 12” Videodisc/CED Format – When the 12” LaserDisc format was introduced (even ahead of sister format Compact Disc,) RCA thought they had a format as good with Selectavision.  Unlike the format that used a laser beam, this one actually used a needle like a record that could play audio and video!  To make sure the grooves were protected, each disc (a few hundred were issued) came in a giant hard sleeve which all machines could remove by the owner sliding and unsliding the whole cover into the machine.  So what went wrong?  The needle skipped, the discs overheated trapping dirt in the grooves & even warping them, plus the discs got stuck and the playback quality was a wreck in any case.  By the time the company pulled the plug and discs/software was discontined by mid-1986, RCA reportedly lost over $150 Million in money of the time, which you could multiply a few times by today’s inflation and you can see why General Electric eventually bought the company.  Ironically, discs still turn up at memorabilia shows and flea markets and even have a few collectors, though the sellers do not always know what it really is or how it works.

 

Sony 8mm Videotape – Because VHS taped required big camcorders, the makers created VHS-C, a compact version of their tapes for smaller handheld cameras, some of the earliest small machines ever to hit the market.  With Beta no longer around, Sony took the 8mm version of their Digital Audio Tape (DAT) and turned it into a videotape.  At first, people loved recording with it, until they found out how volatile in the way of dropouts the tapes were, though they can hold up well if taken care of very carefully.  Sony eventually warned that they were not archival.  At the same time, Sony managed to get a hundred or so prerecorded tapes issued of hit movies, but the format eventually bombed, even after the picture-improved Hi8 (to counter Super VHS) and low-def Digital8 were introduced.  All three combined were less successful than Beta.

 

Super VHS – With VHS the first long-term hit home video format, the company behind it decided to try an improved version for increasingly larger TVs and to take advantage in the growing interest in home theaters with more definition than even regular Beta.  However, the movie industry was happy with regular VHS, did not want to upgrade, nor did customers for what seemed a relabeled format and very few prerecorded tapes were ever produced.  It did help to introduce the S-Video hook-up that 12” LaserDisc & regular DVD eventually used and was made available in a watered-down version for regular VHS that did not require the more expensive and more volatile S-VHS tapes that the original system required.  No prerecorded films seemed to have surfaced in the format.

 

ED Beta – Not to be outdone, Sony introduced Extended Definition (or ED) Beta that had even better picture definition than Super-VHS.  It was so expensive that few consumers bought it, but so close to professional Beta TV stations were using that Sony took a bath when those stations bought the consumer ED tapes and equipment cheaper instead of the actual professional version that was more expensive!  Beta bombed again.

 

12” LaserDisc – originally announced as DiscoVision, these optical discs were the first to use a laser to read them, the first video format ever to have stereo (FM analog), first to have PCM CD-type sound, broke in letterboxing to home video and even introduced Dolby Digital 5.1 and DTS 5.1 in their final years before DVD overtook the format once it got good enough.  Like Beta, thousands of titles were issued, but many of them have laser rot that makes them unplayable.  However, many still play just fine and their uncompressed PCM sound in most cases annihilates the Dolby Digital 2.0 equivalent on many a DVD which simply recycled analog Laser masters.  Until DVD, it was the Rolls Royce of home video software often with prices to match even if it only had up to an hour per side, though a few machines flipped the laser element to the other side without anyone having to do this by hand.  An attempt to do anamorphically-enhanced analog widescreen and even HD Lasers were tried, but only a few discs were pressed before the format was finally laid to rest after 18 years as the then-second successful format in home video history.

 

W-VHS – The second attempt to expand profits on the VHS name died before it got out of the gate, offering a widescreen image (the now familiar HDTV 1.78 X 1 frame) as the “W” means widescreen and was the first-ever high definition format to be produced, if barely.  Despite it’s up to 1,125 lines of definition and obviously improved detail, this was analog high definition, digital was needed instead and the format was shelved.

 

D-VHS – With a 1080i capacity at best, the fourth and final version of VHS finally hit the market and this was not only the first digital HD format to make it, but the most successful since regular VHS.  But DVD was a hit by then, people knew HD discs were inevitable and though four studios offered prerecorded titles in the format (around a hundredish) that were not bad, the format was for the curious with money to spend at best and was obsolete by 2006 on the consumer market.

 

DIVX (Digital Video Express) DVD – Copyright concerns were so significant among the studios, many of them did not trust regular DVD and instead wanted a DVD with a limited playback life.  One option was a vaporware idea environmentalists killed quickly, but the other was a DVD that after a very short period, you would have to pay for watching each time you played it!  Sponsored by Circuit City as a way to overtake Best Buy and the industry, DIVX offered a machine that could only run with a telephone hook-up but could play DVDs and CDs without it, as well as these goofy discs with no extras and letterboxing (the creators said people would never want/did not really ant or need these “things”) and playback quality that was not as sharp as the better DVDs or anything else but lame Dolby Digital sound.  One of the dumbest ideas in electronics history, it bombed, the industry embraced open DVD after this and Circuit City had a $200+ Million disaster that to date, the company has never totally recovered from.  Long dead, few of the discs originally made for it are playable anymore.

 

HD-DVD – Though you did not have to pay for it every time you used it, Bill Gates hoped you would want it more than the Blu-ray and would get royalties for every one sold, the many glitches regular DVD had and still has were expected by many to carry over to the new format.  Remarkably, they did not, but with 30GBs at best could not compete with the future-proof 50GBs+ rival Blu-ray offered and the little-discussed layer change HD-DVDs still had to go through on some discs were a legacy many did not want in a new format.  At first HD-DVDs were looking better than Blu-rays and both offered the best home video soundtracks yet in DTS-HD, DTS-MA and Dolby TrueHD, but that quickly changed and any lead HD-DVD had that made it appealing were lost.  Dead by February 2008, weeks under the first two years of its introduction, the players offered the same fun windfall/curio factor as LaserDisc and Beta for those only used to DVD and VHS.

 

Now that the remaining machines were selling cheap like the DIVX machines, it becomes a cheap way to get a high quality player for DVD-Video and CD, which made all HD-DVD players more attractive, especially as so many DVD-Video-only players in the last few years have become noticeably cheap and flimsy in build and appearance.  That makes for a nice windfall and as far as the High Definition playback is concerned, HD-DVD easily outperforms high definition on the Internet, from downloads, form cable TV and from satellite TV.  Even as it dies, it will turn out to be a crash-course introduction to better high definition to show people what the fuss is all about along with the rise of Blu-ray.

 

Once you see how good the best HD playback looks, it becomes harder and harder to watch and tolerate lower definition.  With Blu-ray now the new dominant format, it will be a long time (say a generation) before anyone will even attempt a new format, leaving behind a graveyard of dead formats as fun as Dracula and The Mummy.  All you have to do is dust off the casket and look inside.  The less you criticize, the more fun they are.

 

 

That should be it for a generation or two, as Blu-ray has so much room to grow and expand, especially with 50GB to start.  But if you run into one of those other formats and can get them cheap, enjoy!

 

 

-   Nicholas Sheffo


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