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Category:    Home > Reviews > Drama > Crime > Romance > Teens > British > Bronco Bullfrog (1969/BFI (British Film Institute) Flipside Blu-ray w/DVD/Region Free/Zero Import)

Bronco Bullfrog (1969/BFI (British Film Institute) Flipside Blu-ray w/DVD/Region Free/Zero Import)

 

Picture: B-     Sound: C+     Extras: B-     Film: B-

 

 

PLEASE NOTE: This Blu-ray is only available in the U.K. from our friends at BFI and can be ordered from them at the website address link provided below at the end of the review or at finer retailers.  This is a Region Zero/Free Blu-ray and will only play on all Blu-ray players, so make certain yours is before ordering.  All the supplements are also in 1080p High Definition.  The DVD is in the PAL format.

 

 

While biking films were B-movie fodder in the U.S. until Easy Rider changed Hollywood for a long time to come, the British cinema had many youth films haunted by gangs and disaffected youth with bikes and the result is as big a love for the motorized vehicles, even if it is in a different way.  BSA and Triumph models were among the most popular and there were others, but the culture was as much a British phenomenon as anything, which is on full display in Barney Platts-Mills’ counterculture film Bronco Bullfrog from 1969.

 

A time capsule that also plays well as a drama, the film involves a couple (Del Quant and Irene Richards) who are unhappy with their life and possibly no future, so they turn to the title character who is not exactly an upstanding citizen, but they want to go somewhere with their lives and decide to turn to him.  This means breaking the law and getting crazy.  For the 87 minutes it is on screen, it is interesting enough to watch and seems more like the earlier monochrome films from the late 1950s to early 1960s that Oliver Reed might turn up in and could be seen as the end of that cycle.

 

The couple’s dilemma plays like a non-political variation of Michelangelo Antonioni’s underrated Zabriskie Point from about the same time, as the couple decides to become lawless because they want to be with each other, want their own space and wonder if their counterculture ways can create space that will make them happier to be in.  The couple here in Bullfrog has made a more direct deal with the devil, but it adds up to the same thing in many ways.  It also shows an East London that at least is partly gone forever and the film takes us somewhere we have not been before and might never be able to go back to again.  With non-professional actors, the other common denominator it has with Antonioni and his film is Italian Neo-Realism, even if it is by way of the British Angry Young Man cycle that you could say was still alive enough at this point, even as it was transforming into something else.

 

All that makes Bronco Bullfrog a film all serious film fans will want to see at least once.

 

 

The 1080p 1.33 X 1 black and white digital High Definition image shows its age with some grain and more than a few shots that are not as sharp and clear as expected, though you can expect this from a short with a low budget, but it was shot in 35mm and this comes from a 35mm negative, so gray scale and Video Black are a plus.  The Director of Photography was Adam Barker-Mill (The Great Rock ‘N’ Roll Swindle) and his early work here impresses.  The shorts are also 1080p 1.33 X 1, from filmed elements and transferred from the best materials available.

 

The PCM 2.0 48/24 Mono is not bad for its age, likely coming from optical monophonic elements, but can sound good and other times sound a little limited.  This was not as compressed as it could have been and the audio survived better than usual, including the score by the band Audience that may exist in stereo.  Too bad those elements were not available for this Blu-ray.  The DVD is in Dolby Digital 2.0 320 kbps 320 Mono.

 

Extras include the PAL DVD, a booklet inside the case with text that includes technical information, stills and poster art with essays by Ian O’Sullivan, Sarah MacGregor, Nigel Andrews and biography/filmography on Platts-Mills by Shona Barrett, who produced this disc, while the Blu-ray adds Platts-Mills’ 1968 documentary film on theater director Joan Littlewood called Everybody’s An Actor, Shakespeare Said (30 minutes), a Littlewood interview from the same year (21 minutes) and Eric Marquis’ 1975 short film Seven Green Bottles about seven juvenile delinquents, played by non-professional actors.

 

 

You can order this Blu-ray/DVD release at this link:

 

http://filmstore.bfi.org.uk/acatalog/info_17404.html

 

 

-   Nicholas Sheffo


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