Icons: The DC Comics
and Wildstorm Art of Jim Lee
Jim Lee/2010/Titan Books (Book Review)
Rating: B+
Further specs:
Hardcover:
296 pages
Language:
English
ISBN-10:
1845765192
ISBN-13:
978-1845765194
Product
Dimensions: 12 x 9.2 x 1.4 inches
Renowned comic book and graphic novel artist Jim
Lee spent the early years of his now storied career with Marvel Comics. There, during the late 1980’s comic boom, he
quickly rose from obscurity to become one of the industry’s hottest young
talents. His star truly rose in 1992
with the formation of Wildstorm Productions, his own publishing house featuring
his own unique and dynamic characters.
The business of comics eventually wore Mr. Lee down, and he sold off his
Wildstorm label to DC Comics in 1998, beginning what has since become an
amazing creative relationship with the Warner Bros. owned publishing giant.
Icons
offers a comprehensive retrospective on Mr. Lee’s
amazing body of work for DC Comics and his own Wildstorm imprint. This lavishly illustrated, coffee-table sized
hardcover offers plenty of angles on the artist’s career and work with DC,
including hundreds of character roughs, pencil sketches, page layouts, and lots
of finished and colored artwork. Long
renowned for his crisp and dynamic style, Icons does an excellent job reminding
us that Mr. Lee is also a masterful storyteller, evidenced by the numerous
layout roughs that show the artist’s mind at work creating the flow of the
story from the ground up. This flair for
page layout can be clearly seen on page 109 of Icons, where Mr. Lee’s unused layout roughs of Superman’s origin
are presented. In just two unfinished
pages, Lee expertly synopsizes the Man of Steel’s life and career.
The book offers sizable sections on Mr. Lee’s
work on DC’s “big three” -- Batman, Superman, and Wonder Woman. Character designs, cover shots, and actual
comic pages brilliantly illustrate the artist’s considerable contributions to
the mythos of each of these seminal DC characters. The book is chocked full of wonderful tidbits
some fans may have never seen before, including page 85’s reproduction of a
water color of the Joker that Jim presented to actor Heath Ledger in 2007 on
behalf of Warner Bros. Brilliantly
rendered using pencils and watercolors, the piece shows Jim’s incredible range
as an artist, and his ability to work in different mediums. It also serves as a haunting reminder of the
now deceased Mr. Ledger’s brief but significant contribution to the Batman
mythos.
Jim Lee’s DC contributions go beyond the realm
of the superhero, and include some excellent (if limited) cover and pencil work
on the company’s Vertigo line of supernatural and adult horror comics. Here Mr. Lee shows an ability to bring the
gritty world of Vertigo to life, drawing characters whose powers focus less on
shattering buildings and more on warping minds.
When used to seeing Mr. Lee’s work in the
smaller comic book and trade paperback formats, viewing some of his stuff in
the much larger coffee table sized volume of Icons can be startling. The
reader will gain a renewed appreciation for the level of detail Mr. Lee puts
into every rendering, with every panel seemingly bursting with action and
energy. This can be no more clearly
illustrated than in the book’s closing section on the Legion of Superheroes, a
title whose characters Mr. Lee has not worked on nearly as much as some others
in the DC Universe. After some
appetite-whetting character studies, sample layouts, and penciled pages, Icons offers a ten-page, lavishly
finished Legion tale written by longtime LSH scribe Paul Levitz and drawn by
Mr. Lee and longtime inker Scott Williams.
Although there’s not a lot of action in this too-brief tale, the level
of detail and dynamism will provide a feast for the eyes, and leave longtime Legion
fans clamoring for Mr. Lee to bring his talent to the regular LSH title, if
only for a brief visit!
After all, what self-respecting fan would not
want to see his favorite heroes battling their most dreaded foes through the
lens of Mr. Lee’s hyper-kinetic vision?
Like any good form of entertainment, Icons leaves the reader wanting more. It will likely prompt a visit to the local
comic shop, or perhaps Amazon.com, to investigate Mr. Lee’s considerable
library of collected work. For anyone
who loves comic books and creators who respect the medium, Icons delivers a top-notch survey of one of the industry’s
brightest lights.
- Scott
Pyle