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Category:    Home > Reviews > Drama > Relationships > Stage > Romance > Melodrama > Comedy > All About Eve (1950) + An Affair To Remember (1957/Fox Blu-rays) + Heartbreaker (2010/IFC/MPI DVD) + Life As We Know It (2010/Warner Blu-ray w/DVD) + Only Love (1998/Vivendi DVD)

All About Eve (1950) + An Affair To Remember (1957/Fox Blu-rays) + Heartbreaker (2010/IFC/MPI DVD) + Life As We Know It (2010/Warner Blu-ray w/DVD) + Only Love (1998/Vivendi DVD)

 

 

Picture: B-/B/C+/B- & C/C+     Sound: C+/B-/C+/B- & C+/B-     Extras: B/C+/C/D/D     Films: B/C+/C/D/C-

 

 

Romance and bitterness go hand in hand often in films, too often and they are usually linked to melodrama.  Five new titles have such common denominators and they include some older favorites now on Blu-ray.

 

Easily the best film here is Joseph L. Mankiewicz’s All About Eve, the 1950 hit about an older actress (Bette Davis) seeing a seemingly kind younger actress (Anne Baxter) backfire in the world of stage acting.  Though we have never covered the actual film before, we did cover the Limited Edition CD soundtrack that is still in print and also has tracks from the Film Noir classic Leave Her To Heaven at this link:

 

http://www.fulvuedrive-in.com/review/1870/All+About+Eve/Leave+Her+To+Heaven

 

You can also directly order if interested here:

 

http://www.screenarchives.com/title_detail.cfm/ID/172/ALL-ABOUT-EVE-LEAVE-HER

 

 

The film is one of the most quoted and in recent years, has come dangerously close to pop trivialization by a record number of poseurs who have tried to use it to look like they know something about filmmaking and even art!  A great film, even I think it has some moments where it can be a bit campy and hit some odd spots, but its brutal honesty (when not turned into a joke) about how people who try to succeed and enjoy their success (or pretend to) is as relevant as ever and it is one of those films where everyone is just so good, you cannot stop watching.  All the voiceovers even work.

 

It was a comeback for Davis, rising from her troubles with Warner after leaving that studio, Baxter is dead on as Eve, George Saunders is as suave as ever, Celeste Holm is at her peak in a long great career, Thelma Ritter is great, Marilyn Monroe (her first Blu-ray appearance!) became a star after this film, Gary Merrill and Gregory Ratoff also make fine showings in all this and the world created is totally believable thanks to them and Mankiewicz pulled this off at a time when there were many less writer/directors out there.  It is worth revisiting now and then, but if you have never seen it, consider it required viewing.

 

Leo McCarey survived personal turmoil to come back and make An Affair To Remember, an often imitated 1957 romance that has a limited script, but McCarey’s directing talents and the chemistry between Cary Grant and Deborah Kerr has made this a favorite film no matter its sappiness or issues as the characters fall for each other, but they are engaged to other people.  At a time of the tail end of the Hollywood Production Code, the suggestion of any infidelity or premarital sex was daring (especially after the Witchhunts people like McCarey had to endure) so this was considered a film of sophisticated romance and it is a mature work.  Having them on a boat likely is one of the reasons for its appeal too.  For me, it is just a work that is a little overrated despite the fact that I am a fan of the leads and admit McCarey was very talented.  Now you can see for yourself.

 

There was a time when French comedies knew what farce was, but that period seems to be over and such films rare.  Add a bad desire to compete with bad Hollywood comedies and you get a mess like Pascal Chaumeil’s Heartbreaker (2010), a surprisingly silly, inept, unfunny comedy about a professional romancer (Romain Duris, who looks like a cousin of Patrick Dempsey) hired to break up established romances for whatever reasons, as long as they involve money.

 

However, he starts to have problems keeping to his professional vocation when his next assignment is to seduce one particular target (Vanessa Paradis) who he starts to fall for.  Unfortunately, though not a smug work, this is done as badly as a silly TV sitcom and every time early on you expect it to pick up, something very stupid happens.  The placement of hit songs are as sloppy as the plot and it just gets worse and worse, wasting our time and those of the actors.

But that all looks like An Affair To Remember as compared to the dreadful, inept Greg Berlanti disaster Life As We Know It (2010) with Josh Duhamel and the once seamlessly talented and appealing Katherine Heigl in a sickening, stupid waste of time about a couple whose friends get them to meet on a blind date and it does not work out (surprise?), then they are brought back together when they have to raise a friend’s toddler due to unforeseen circumstances.  The message of the film is that we all deserve to live in a domestic hell and die in it, which says something about the positive attitude this self-hating hack job of a release offers.  Moist shocking is how unfunny Heigl was, who apparently could care less anymore about what she does, as long as it is a paycheck.

 

Finally we have the TV Mini-Series event Only Love (1998) that is by Love Story author Erich Segal, trying to recapture some of the magic and success of the blockbuster film as an ambitious TV event that never takes off.  Marisa Tomei and Rob Morrow are the potential lovers, but as likable as they can be (as they have both done good work over the years), he is married and she is sick, but he wants to get back with her for a while before she is gone.  Wow, what a dumb idea and it makes the mistakes An Affair To Remember dodges often.  The result is a run-on high concept project and the kind that killed TV Mini-Series.  Now on DVD, you can see how.

 

The 1080p 1.33 X 1 black and white AVC @ 26 MBPS digital High Definition image on Eve looks better than any previous video version, but is a little disappointing in the detail department and does not look as good as similar Blu-rays like The Maltese Falcon, It’s A Wonderful Life (unreviewed), A Christmas Carol or Treasure Of The Sierra Madre.  Is this an older HD master?  We get some lack of detail, some black crush and some noise that is distracting that may not be grain.  Still, this was nominated for best black and white cinematography and Director of Photography Milton R. Krasner sued the block style narrow vision frame so effectively here that the film has a one-of-a-kind classy look that is like Fox monochrome films of the time, yet offers something more.

 

The sound has been boosted to a DTS-HD MA (Master Audio) lossless 5.1 mix and there is only so much you can do with an older monophonic soundtrack as this, but it is better than the Dolby Digital 2.0 Mono (for purists) and the music benefits this way and in a DTS 2.0 isolated music track also here as an option.

 

The 1080p 2.35 X 1 AVC @ 38 MBPS digital High Definition image on Affair was shot in the older CinemaScope format and that comes with some distortions throughout, but this is the best-looking video version the film ever had, though some color (it is Deluxe and not dye-transfer Technicolor) can be faded, but is made to be a big screen film and the Director of Photography is once again Krasner (Two Weeks In Another Town) using color and the scope frame with expert ease.

 

The 4-track magnetic sound has been boosted to a DTS-HD MA (Master Audio) lossless 5.1 mix that is too much towards the front speakers, but so were the original tracks offering traveling dialogue and sound effects in some scenes.  Most ironically, it sounds as good as any of the releases here and part of that is because the makers were serious about delivering a top-rate soundtrack for the time and this was state-of-the-art for such a film.

 

The anamorphically enhanced 2.35 X 1 image on Heartbreaker has its issues, including being on the soft side, while the Dolby Digital 5.1 mix really pushes the dialogue-based films which are rarely more than simple stereo at best.

 

The 1080p 2.35 X 1 digital High Definition image on Life was shot in HD and looks poor as a result with weak detail, limited color and the anamorphically enhanced DVD is weaker still, so this is as hard to watch visually as anything else.  The DTS-HD MA (Master Audio) lossless 5.1 mix is shockingly limited to the front speakers and often the center channel, making this more difficult still to sit through and the Dolby Digital 5.1 on the DVD is weaker still, making this one of the worst releases in 2010.

 

The 1.33 X 1 on Only is not perfect and has some detail issues, yet it looks as good as Heartbreaker and actually better than the Life DVD!  Color can also be an issue, as this looks like an older transfer and the filmed episodes were finished on analog NTSC videotape.  The Dolby Digital 2.0 Stereo mix has surprisingly good and healthy Pro Logic surrounds that embarrass the 5.1 mixes on the newer features.  Sad.

 

Extras on all three Blu-rays include making of featurettes, with Eve offering six of them, two are vintage promos with Davis and Baxter respectively, while newer offerings include The Real Eve, Directed By Joseph L. Mankiewicz, Joseph L. Mankiewicz: A Personal Journey and The Secret Of Sarah Siddons.  There is also the AMC Backstory episode on the film, Theatrical Trailer, four Fox Movietone News-related reels, two feature length audio commentary tracks (Holm, Christopher Mankiewicz and scholar Ken Geist + Author Sam Staggs) and a 24 page-booklet that holds the disc. 

 

Affair also comes in a 24 page-booklet, while the disc adds a Trailer, feature length audio commentary with Marni Nixon and historian Jim McBride, two related Fox Movietone News-related reels, AMC Backstory episode on the film and five featurettes: Affairs To Remember: Cary Grant, Affairs To Remember: Deborah Kerr, Directed By Leo McCarey, A Producer To Remember: Jerry Wald and The Look Of An Affair To Remember.

 

Life offers Additional Scenes (oh, the irony) and three bad featurettes, extras on Heartbreaker only include a TV Spot and Trailer, leaving Only with no extras at all.

 

 

-   Nicholas Sheffo


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