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Category:    Home > Reviews > Drama > Music > Romance > Spy > Espionage > British TV > Comedy > Stage > WWII > Mini-Series > Police > Urban > Cr > The Bass Player & The Blonde (1978/Network U.K. Region Two Import DVD Set) + Callan: Wet Job (1981/Network U.K. Region Two Import DVD) + Demob (1993/British Mini-Series/Acorn DVD Set) + Street Kings 2

The Bass Player & The Blonde (1978/Network U.K. Region Two Import DVD Set) + Callan: Wet Job (1981/Network U.K. Region Two Import DVD) + Demob (1993/British Mini-Series/Acorn DVD Set) + Street Kings 2: Motor City – Unrated (2011/Fox Blu-ray 2/DVD)

 

Picture: C/C/C/B- & C+     Sound: C/C/C+/B & B-     Extras: D/C-/D/C-     Main Programs: C+/C+/B-/C-

 

 

PLEASE NOTE: The Bass Player and Callan DVDs are Region 2/PAL format, can only be operated on machines capable of playing back that combination and can be ordered exclusively from our friends at Network U.K. at the website addresses provided at the end of the review.

 

 

And now a look at drama/comedies that for the most part have a comic side and also revisit and continue franchises in a few cases.

 

The late great Edward Woodward is best-known in the U.S. for playing McCall on The Equalizer, but he is a great actor who did much more and had more talent than you might imagine.  Our first two releases feature Woodward, including in a return to the role that inspired The Equalizer.

 

First is the mini-series drama The Bass Player & The Blonde (1978) with Woodward as the older musician of the title still holding on to his dreams of making music despite having empty pockets and falling for a young woman named Terry (Jane Wymark) half his age and she is as interested.  Melodramatic but realistic, it is a good program, but it has problems justifying its length.  However, Woodward makes it very watchable showing his range and there is an odd chemistry between the leads that makes it interesting viewing beyond its flaws.  A series that deserves to be on DVD, I was glad to see it.

 

Before The Equalizer, Woodward played the cold, deadly assassin David Callan in a TV series as brutally realistic as any spy TV series ever made.  The show began in black and white, which you can read more about at this link of the DVD set from Network U.K.:

 

http://www.fulvuedrive-in.com/review/9599/Callan+%E2%80%93+The+Monochrom

 

 

Those episodes (the ones that survived) were followed by more great shows shot in color.  Here are the two complete volumes as issued in the U.S. by Acorn but also available from Network U.K.:

 

Set 1

http://www.fulvuedrive-in.com/review/8724/Callan+%E2%80%93+Set+One+(1970

 

Set 2

http://www.fulvuedrive-in.com/review/9470/Callan+%E2%80%93+Set+Two+(1971

 

 

When the show ended, it was still a hit and people were surprised that Thames did not continue the series.  Despite the fan following and protests, that was the end, though a feature film was released in 1974 that tried to relaunch the character with Woodward reprising the role, but that did not lead to a movie series in the year that The Man With The Golden Gun became one of the few James Bond films to bomb.  The spy genre was in a down cycle.

 

Seven years later, ATV and creator James Mitchell decided to try one more story and the result was a telefilm – Callan: Wet Job (1981) which finds Callan under a new name with a new life.  However, the Cold War continues and a new case is so pressing that the new Hunter (Hugh Waters) contacts him and gets him out of retirement for a special mission involving the KGB.  Wet Job is a KGB term for assassination.

 

Callan contacts his old friend Lonely (Russell Hunter) who is an expert thief and shadow, but he too has tried to move on and is about to get married.  A group of young people are more involved than they realize with the KGB, but they are being used to help them get Callan.  They have befriended an older operative (George Sewell) whose trap is very deadly.  Callan has a new assassin partner and has to get his edge back to finish the job.

 

Though some of the 90 minutes work, the script has some errors (Hunter notes how many previous Hunters Callan has worked with, but not that Callan was Hunter at one point) and the energy and chemistry from the original series is lacking here.  It was too long between Woodward and Hunter playing their roles and ATV does not have the rights to the original theme music or credits of the Thames show.  It makes it like watching Never Say Never Again (1983) in this respect.

 

Still, it is worth a look, especially after seeing the original series (it makes more sense when you know the show) and would be the last time Woodward explicitly played Callan.  Of course, many suggest his McCall is Callan on The Equalizer and you can compare all these shows to Season One of that hit series in these DVD sets:

 

Universal U.S. NTSC DVD set

http://www.fulvuedrive-in.com/review/6922/The+Equalizer+%E2%80%93+Season

 

Umbrella Region 4 PAL DVD set

http://www.fulvuedrive-in.com/review/10875/The+Equalizer+%E2%80%93+Season

 

 

Reaching further back into British military history, Demob (1993) is a comedy about the men who have to integrate back into civilian life when WWII ends.  Two of the returning men (Martin Clunes, Griff Rhys Jones) were entertainers who are bored with peacetime and decide to give showbiz on the live stage a new lease on life.  This is nicely acted, written and has good production design.  It is the kind of mini-series British TV was producing more often earlier, but always feels like it is part of the period it takes place in.  Les Dawson (a comic legend in England we have reviewed the work of before) gives one of his last performances here as an aging performer and Clunes is impressive in this earlier work.

 

Amanda Redman, Simon Williams, Samantha Janus and James Faulkner are among those rounding out the cast and those interested will not be disappointed if they seek this one out.  It is the best of the four titles here.

 

 

That leaves the poorest, the strange in-name-only sequel to Street Kings, Street Kings 2: Motor City – Unrated (2011) switches the city and fails badly.  For those not familiar with the first film, here is the link to our coverage of the 2008 film:

 

http://www.fulvuedrive-in.com/review/7431/Street+Kings+(2008/20th+Century+Fo

 

 

I was less impressed than my colleague, but this new variant is an unfortunate dud.  Ray Liotta is a cop who may or may not be dirty, paired with an honest cop (Shawn Hotosy, who is very impressive for being stuck with a pretty bad script) investigating a series of cop killings.  A formula script directed with a very standard approach by Chris Fisher, we get so many clichés that I lost track.  We get more 1970s cars than you would likely find in real life, some of the dialogue (from the awful Ed Gonzalez/Jeremy Halt script) is laughable and any opportunity to do something new or different is ignored in this HD-shot practically-a-TV-movie that is on automatic dead end drive all the way.  Realism is not a priority either and in the end, it does not even know how to wrap up.  Except for some nice shots and good actors, this is another unnecessary franchise product.

 

The 1.33 X 1 image on all three of the DVDs are in color, but all are softer than expected and a little disappointing.  The Network U.K. titles are from the ATV catalog and do not have the restoration of their PAL tape sources ATV’s owners applied to the great DVD box set Madman Entertainment issued of Brian Clemens’ Thriller, reviewed elsewhere on this site.  As a result, flaws include staircasing, aliasing, some video noise, video banding, some tape scratching, tape damage and even PAL cross color.  Acorn has a small print disclaimer about Demob being from masters of limited quality and that was shot on film, but it is still as soft as these PAL-taped productions which sometimes used 16mm film.

 

That leaves Kings 2 in both formats.  The 1080p 1.78 X 1 AVC @ 19 MBPS digital High Definition image can have some good shots and good color, but the HD also has its share of noise, color limits and motion blur.  The anamorphically enhanced DVD version is even worse with more blur, poorer color and weaker Video Black, barley looking better than the other DVDs covered here.  The DTS-HD MA (Master Audio) 5.1 lossless mix on the Blu-ray is the default highlight on the Blu-ray with a good soundfield and it is recorded well enough, but the Dolby Digital 5.1 mix is weaker, barely holding its soundfield.

 

Extras only appear on two of the titles here with Callan having a brief stills sections and Kings 2 has four features, Blu-ray exclusive Weapons Check: Interactive Personality Profiles and two deleted scenes of no consequence.

 

 

As noted above, you can order the Bass Player and Callan DVD imports exclusively from Network U.K. at:

 

http://www.networkdvd.net/

 

or

 

www.networkdvd.co.uk

 

 

-   Nicholas Sheffo


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