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Category:    Home > Reviews > Drama > Fantasy > Music > Sexuality > Icons > Politics > Civil Rights > Counterculture > Portuguese > France > The Famous & The Dead (2010) + Paname (2010/Water Bearer DVDs) + Undertow (2009/Wolfe Blu-ray + DVD)

The Famous & The Dead (2010) + Paname (2010/Water Bearer DVDs) + Undertow (2009/Wolfe Blu-ray + DVD)

 

Picture: C/C/C+ & C-     Sound: B-/C+/C+     Extras: C-/C-/C     Films: C+/C+/C

 

 

And now for three foreign films dealing with human sexuality in terms beyond monogamy and standard ways…

 

 

Esmir Fihlo’s The Famous & The Dead (2010) was actually distributed by Warner Bros. overseas and is the odd tale of a young 16-year-old male (Aurea Baptista) who is a huge Bob Dylan fan and finds himself getting involved with a woman who calls herself Jingle Jangle (Tuane Eggers) to his Mr. Tambourine Man and she brings along Julian (Ismael Caneppele, who wrote the book this is based on) which leads to sexual explorations and other strange events in this unusual film that is not bad, but does not seem to get as far as it ought to.  It is trying to be spiritual and sexual and have some meaning, but the results are mixed.  It is still something different and not bad, but taking on Dylan is a big thing and that limits it.

 

The letterboxed 2.35 X 1 image was shot digitally and is a little weak with motion blur, but some of the color and shots are not bad, while the Dolby Digital 2.0 Stereo has some nice Pro Logic surrounds and suggests this might have a nice 5.1 master.  A trailer is the only extra.

 

 

Alessandro Avellis’ Paname (2010) is a French coming of age film that very much wants to emulate Francois Truffaut’s autobiographical films, but add some sex and sexuality to it.  Broken into chapters of sort, this is the tale of how Maxence (Nicolas Villena), Marthe (Clémence Beauxis) and the unwell Mathieu (Tom Henin) become friends, all loaners in a different way who start to bond and become sexually involved.

 

Their free-spirit extends their sexuality and where they are in life to politics, which is a hard left turn the film takes ala Godard (et al) towards the end reflecting world politics today.  Though we have seen some of this before, this is a worthy continuation of themes from the French New Wave nicely done and interesting enough to give it a look.  It is also more successful than many imitators of such films I have seen over the years.  The letterboxed 1.66 X 1 image is a mix of color and black and white that can be soft, but is edited well, though it is not totally in the jump cut style of the French New Wave, so this also wants to be contemporary.  The Dolby Digital 2.0 Stereo has little in the way of surrounds, but is well recorded for a low budget production.  A trailer is the only extra.

 

I should note that this worked a little better than Avellis’ Ma Saison Super 8 (2005), which you can read more about at this link:

 

http://www.fulvuedrive-in.com/review/8859/Ma+Saison+Super+8+(2005/Water+Be

 

 

Finally we have Javier Fuentes-León’s Undertow (2009) which is also about haunted lovers and this time, we have a married couple who have just given birth to their first child.  Miguel (Cristian Mercado from Soderbergh’s Che) and Mariela (Tatiana Astengo) seem like a happy couple, but it turns out Miguel has a history with the openly gay Santiago (Manolo Cardona) who the town and its people do not like and Miguel is still in love with him!

 

Set in Peru, it is a character study of the three principals, the people around them and a town that should be peaceful and happy, but is backwards and on some level, a fraud.  I liked the performances and the points made, but in this case, I thought too much was predictable and inevitable about the set-up and the result is one that some in the Gay Studies sector might find goofy, but it could be argued that the conclusion (since this is also a sort of ghost story) follows the approach of the film.  Now you can see for yourself.

 

The 1080p 1.85 X 1 digital High Definition image on the Blu-ray version may have some softness, but the grain is natural for a Super 16mm shoot and gives details, color and depth you would never get from an HD shoot, proving that 16mm goes just fine with Blu-ray.  The anamorphically enhanced image on the DVD is one I knew would not look as good as the Blu-ray, but this is much softer and weaker than I would have expected, so see it on Blu-ray if you can.  Both have Dolby Digital 5.1 and 2.0 Stereo soundtracks with the 5.1 having a very slight edge, but this is a dialogue-based film and only has so much of a soundfield.  Extras in both formats include an original theatrical trailer, Behind The Scenes featurette, GLADD PSA, tow interview featurettes and Deleted Scenes.

 

 

-   Nicholas Sheffo


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