Oblivion
(1994/Shout! Factory DVD)/Season Of The
Witch (2010/Fox Blu-ray)/Sucker
Punch: Extended Cut (2011/Warner Blu-ray w/DVD)/Turbulent Skies (2009/Anchor Bay DVD)
Picture:
C/B-/C+ & C-/C Sound: C/B/B &
B-/B- Extras: D/D/D/C- Films: D/D/D/C-
When
genre filmmaking is abused and is a wreck on arrival, it can be very ugly. Here are four examples of four theatrical
films that show how bad it can get…
Sam
Irvin’s Oblivion (1994) is a bizarre
mix of outer space aliens, Westerns and some Science Fiction that is silly,
makes no sense and is being issued as Cowboys
& Aliens heads for movie theaters.
This B-movie (intended as some kind of series) Co-stars Andrew Divoff,
Michael Genovese, Julie Newmar, Richard Joseph Paul, Meg Foster and George Takei
is a tired turf war Western formula with bad costumes and silly acting that is
either bad or makes no sense. Whatever
the intent, this is a goofy mess that should have stayed in the vault.
Of
course, Westerns and Sci-Fi hardly ever mix and the few that do (Hyams’ Outland, Cameron’s Aliens and the Firefly/Serenity franchise) are far outnumbered
by the bad ones (Gil Gerard Buck Rogers,
original Battlestar Galactica, even
the comedy Galaxina) that are
clueless about either genre and it always badly shows. This is being released as a curio and is not
worth your time.
Dominic
Sena tries to do a film about The Crusades and creates another awful feature
film with Season Of The Witch
(2010), the Music Video director’s fifth awful feature film and fifth awful
release in a row. His idea of The
Crusades is just fodder for bad digital effects and bad action scenes, wasting
Nicolas Cage, Ron Perlman and hundreds of extras (it would have been thousands
before digital visual effects, that this is soaked in for the worst) and is
never believable for one second. Cage
seems bored, Perlman steals every scene he is in and the story of witches
wanting revenge for being hunted is older than The Crusades, with only the
clichés in abundance here being older.
Dialogue is stupid (think of this as Kingdom of Heaven for airheads) and even its Alternate Ending is
idiotic.
Sena gave
us the highly overrated Kalifornia,
then followed them with Gone In Sixty
Seconds (which only had a one minutes’ worth of nice cars), Swordfish (one of the worst action thrillers
ever made) and Whiteout (which was
less exciting than watching typewriter correction fluid dry) all proving Sena
could not understand a narrative if it arrived as a singing telegram at the
level of Schoolhouse Rock, a series
of shorts with more story substance than any of his feature films. Cage will get dumped on for this dud, but
Sena is the real culprit here. Listen to
the hit record of the same title by Donovan instead.
Zack “The
Hack” Snyder, on the eve of his Superman film, delivers his worst film of many
to date with the amazingly inane Sucker
Punch (2011), with its mix of sex, rape, video games, torture, action,
idiocy, other violence, dated Music Video tricks and bad writing as his most
incoherent mix of nothing yet. Trivializing
everything of importance in its way from genocide to mental health to murder to
genocide, the story is a supposed “fantasy” about a young lady who is framed
for murder and (set to a really lame cover of the Eurythmics classic Sweet Dreams (Are Made Of This) and is
then sent to the Lennon Mental Hospital (I am NOT making this up; Annie Lennox was the original lead singer on
the song) where the young lady is set to have a lobotomy so the real older male
killer (the supposed guardian of her and her now dead sister) can get the
family fortune. Suddenly, she is
transported to another world from the hospital (which includes its own surreal
moments light years from making any sense and wasting Carla Gugino) to battling
WWI army men for no apparent reason (wasting Scott Glenn all around) complete
(and completely repeating everything we’ve seen in all his previous films) with
no point whatsoever.
I guess
the title refers to people stupid enough to pay for another one of his films
and expecting him to learn how to direct, but this was a bomb in theaters and
is not doing well on home video. The
martial arts look phony, Snyder is a poser as an action filmmaker and the film
also wastes Jon Hamm (who Snyder did not hire for Superman, showing his lack of
loyalty), Vanessa Hudgens (not helping her career one bit), Abby Cornish, Emily
Browning and Jena Malone.
This is
easily one of the worst films of 2011, which says something considering how bad
a year this has been at the halfway point.
Finally
we have the trashy Fred Olen Ray disaster Turbulent
Skies (2009) which at least does not try to be more than the wreck it is
and on many levels. Casper Van Dien is
reunited with his Starship Troopers
co-star Patrick Muldoon way too late as a HAL 9000-type computer is mindlessly
installed to replace human pilots, but back fires and takes on a mind of its
own, so inventor Dien (no jokes please) has to stop it. Can you stop laughing?
Wow, is
this bad, but it is not absolutely horrid, which is how bottom of the barrel
this round of releases is. Nicole Eggert
and Brad Dourif also star.
The 1.33
X 1 image on Oblivion is awfully
softy and though this was shot in 35mm film, this is an older analog transfer
and is lame throughout. The 1080p 1.78 X
1 AVC @ 36 MBPS digital High Definition image transfer on Witch has plenty of digital work degrading anything here that might
remotely look like a good shot, but is the best-looking disc here by default,
which is not saying much. The 1080p 2.35
X 1 digital High Definition image on Punch
was shot in 35mm film, but you would never know it for all the digital work
here that is actually more excessive than Witch!
So why
shoot in film? So Snyder can film his tired, stupid, slowed scenes of sex and
violence in Music Video-caliber slow-motion as if that gave them meaning when
it just makes them even more tired and embarrassing than almost anything you’ll
see this or any other year. The
anamorphically enhanced DVD is one of the weakest trade-downs I have seen to
date and is pretty unwatchable. That
leaves the anamorphically enhanced 1.78 X 1 image on Skies which has much
motion blur and some bad digital work of its own looking poorer than a new
production should be.
The Dolby
Digital 2.0 Stereo on Oblivion is
barely so, distorted and compressed from the original analog Ultra Stereo
theatrical mix that sounds more dated than the film itself. The DTS-HD MA (Master Audio) 5.1 lossless mixes
on both Blu-rays are good with good soundfields, yet are far from the best
sonic mixes you will hear today. The Punch DVD is weaker, but retains the
soundfield somewhat. That leaves the
Dolby Digital 5.1 mix on Skies
having moiré of a soundfield than expected, but that cannot save it.
Extras are
absent on Oblivion, but both
Blu-rays have two versions of the same failed films, BD Live interactive
features and Digital Copy for PC and PC portable devices. Witch
adds Deleted Scenes and two Making Of
Featurettes, while Punch adds
Original Animated Shorts (ugh!), Behind The Soundtrack featurette to show how
Snyder abuses music and is clueless on the artform and Blu-ray exclusive
Maximum Movie Mode where Snyder shows up and tries to explain this mess, making
it the worst use of this function in Blu-ray history to date. Skies
adds a trailer.
- Nicholas Sheffo