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Category:    Home > Reviews > Julius Caesar (1970, Pan & Scan)

Julius Caesar (1970, Pan & Scan)

 

Picture: C-     Sound: C     Extras: D     Film: B-

 

 

Shakespeare is not easy to do on film and keeping it interesting on many levels is not easy.  One of the more ambitious attempts is a 1970 version of Julius Caesar that was made in England.  In between his two Planet Of The Apes films, Charlton Heston played Mark Antony here, joined by John Gielgud in the title role, Jason Robards as Marcus Brutus, Richard Johnson as Caius Cassius, Robert Vaughn as Casca, Richard Chamberlain as Octavius Caesar, Diana Rigg as Portia, Christopher Lee as Artemidorus, Jill Bennett as Calpurnia, and other veterans like Michael Gough and Andre Morell rounding out a sizable cast.

 

Though it is not well thought of, this is a better film than may have given it credit for, always considered inferior to the 1953 Joseph L. Mankiewicz version, but it has its pluses that may not be getting credit because of how the older version has overshadowed this one.  I like the cast and some really good performances and chemistry all around.  There are some unintended hoots, partly because some of the non-British cast might seem awkward, but the film itself is hard to judge on this DVD for the following reasons.

 

Thought he image is letterboxed at the beginning of the film, the image becomes a dreadful pan and scan presentation that lops off about 60% of the image shot by cinematographer Ken Higgins in 2.35 X 1 Panavision and printed at the time in dye-transfer three-strip Technicolor.  The letterboxed footage at the beginning looks very faded and soft.  The Dolby Digital 2.0 Mono is designed on home theater systems to go into Pro Logic mode and stuff all the sound into the center channel, which is no help.  Either way you play it back, it is very average and the Michael J. Lewis score suffers as well.  There are no extras.

 

Director Stuart Burge, who did a 1959 version of the story with Gough as Cassius for British TV, obviously knows the material and the free-style the film is shot using the full scope frame and edited by Eric Boyd-Perkins is a plus.  Too bad this DVD version butchers that.  Hope it is eventually issued properly, maybe in a special edition.

 

 

-   Nicholas Sheffo


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