The Rachel Zoe Project: Season Four/The Real
Housewives Of Orange
County: Season Six/Tabatha’s Salon Takeover: Season Two
(Bravo DVD Sets)
Picture:
C/C/C+ Sound: C+ Extras: C/C/C+ Episodes: C+/C/B-
Hard to
believe, but “reality TV” which is hardly ever about reality at all has become
a sad, even sick staple of television and the HDTV era has not changed that
much, leaving the majority of the shows exploitive and out to make the audience
feels dumb and participants look dumb.
This self-fulfilling prophecy has not helped public discourse much and
has allowed political discourse to become so negative, though no one wants to
address this. But are there any upscale
such shows?
The Bravo
Network sells itself as a smarter, better (and is, even by default, more
pro-woman than the idiotic stream of garbage coming from Hallmark or Lifetime,
both of which are more like a ‘deathmark’ against women) and here are three of
their shows in various stages of success that take the comparatively higher
road.
The Rachel Zoe Project: Season
Four was newest
to me about the designer/stylist having a career and raising her family, which
would be almost feminist if it were not for the heaping of money and glamour
the show was flashing, sending the anti-woman message to just “have kids and
money” while not worrying about the real life adjuncts to this like having a
job, education and healthy relationships with men. The latter seems to hold here, but I have not
seen all four seasons, so I’ll skip that part.
As the show
stands, she is responsible and even has talent at what she does (persons with
their own shows on say, House & Garden or Food Networks are not necessarily
good at what they do despite having shows; I am sometimes puzzled at some of
the nitwits who do), yet this is still a somewhat flat, boring show and part of
the tone (see it on the box art) is that the show plays in its editing and
attitude as if she were a single woman without a man. He is in the background or absent, while the
title makes her life seem so mechanical.
I was only so impressed and the show is at its best when she juggles
business because the personal life could be anyones. It is no longer special and even bizarre to
see people parading their family like this as if it is a zombie model to
follow, though that is not the show’s intent.
There also seems to be a lack of happiness and joy despite the
commercial success.
Either
way, it is for fans only and extended scenes are the only extras.
Much
worse is The Real Housewives Of Orange
County: Season Six which has a group of women with money think they are
looking good, but coming across terribly, sadly and even pathetically as they
do what they can to live it up with their money, yet they seem even more
miserable and the show is amazingly over-staged, even for this cycle. For all their fallouts, they seem to always
get back together in the most toxic, dysfunctional fashion, so it must be their
profits from the show. However, there is
a darker side to the show that seems to hate men and that starts with the men
being in the backgrounds holding babies where applicable while marginalizing
them overall.
It offers
an ideology of men as idiots, disposable and only good for breeding and serving
them while they act like teens with no brains which imply abuse and
disposability that permeates the show in ways that would get it kicked off the
air if the gender roles were switched.
In real life, these women would have either stopped talking to each
other or possibly engaged in more violence that at its extreme would lead to
some one committing murder. One can only
take so much misery, no matter how much money one has.
Besides
giving capitalism a bad name, telling these women apart (including similarities
in attitudes, clothes, plastic surgery, etc.) is like naming the Teenage Mutant
Ninja Turtles… you can only do it if you
are a fan. These women are not evil or
anything, but they are not that interesting and certainly not enough to keep
this zombie show going, but it did well enough to survive this long and there
is sadly an audience for this junk.
Extras include “lost footage” which was likely never lost and if so,
should have stayed that way and two reunion shows where no one kills each
other, but shows that they are as unexciting as their younger competitors, all
of whom would likely be sexier in this genre if they did not wear so much, try
so hard and gave up on anything resembling a truly exciting life.
The
exception to these shows are the few where either people find collectibles,
restore them or help people. Tabatha’s Salon Takeover: Season Two has
our host (who would make a hilarious new host for The Weakest Link) going into hair cutting business on the brink of
disaster and trying to save them from bad management, bad decisions and bad work. Like its cooking/food counterparts, it offers
an interesting series of looks inside what it takes for a salon to work and
reminds us like all these shows that one of the biggest problems for small
businesses involves not knowing what they are doing, general apathy, letting
things go bad while denying so and/or not gaining anything from a learning
curve.
We get
ten hour-long shows and they are all very watchable, even to my surprise, plus
we get multiple extras in the way of bonus clips and even advice from the host
on how to handle the running such a business.
It is sad to see these shows in that, for the people that get help, you
know that there are many who do not and deserve it. If only this were the dominant for of these
shows.
The
anamorphically enhanced 1.78 X 1 on all three sets are softer than I could have
ever expected, shot on the fly and not as well as they should be, save Salon which is just a more professional
shoot all around for whatever reason (maybe the subject matter is more interesting?)
and all three also have lossy Dolby Digital 2.0 Stereo that is simple and
fine. In all cases, you get constant
music and occasional location audio issues (Salon has the advantage of being confined to a few places, so this
happens less often on that show) but a 5.1 mix on any of these shows would be
pointless.
- Nicholas Sheffo