Angels Crest (2011/Magnolia Blu-ray)/Dark
Crimes (Mill Creek DVD Set)/The Kate
Logan Affair (2010/E1 DVD)/Young,
Violent, Dangerous (1976/Raro Video DVD)
Picture: B/C/C+/C+ Sound: B/C/C+/C+ Extras: C-/D/D/C-* Films: C-/B-/C/C+
Thrillers
are almost like horror films in that people will look down on them, but not
admit that they like them or how much they really enjoy them. The following show the range of what I mean,
including two dramas that cannot decide whether they are thrillers or not.
Gaby
Dellal’s Angels Crest (2011) is a
child-in-jeopardy drama that plays at first like a thriller in implication
before it backs off and is just a really, really, really bad, dumb drama. Thomas Dekker is a young father who is taking
care of the new toddler he had with an alcoholic woman and they live roughly in
the same small town. One day, the baby
shows up dead in the middle of the snow-covered woods and he is considered the
one to blame, but at first the script suggests otherwise.
His best
friend was seeing his ex. Did he kill
the child? Is the mother a
murderer? Did they both do it to ruin
his life? Is there a strange serial
killer on the loose? The film nearly
hints at all this and more before becoming a drama about a bunch of
self-centered, dysfunctional idiots who are lucky they can take care of
themselves. Some moments here are
unbelievable, some embarrassing and overall the film manages to trivialize the
child’s death in almost every way possible.
There is
some good acting here, but that is annihilated by the awful overall mess that
this is and it is one of the most irresponsible films I have seen about a child
dying since Peter Jackson’s The Lovely
Bones. Dead children are not plot
points people!
Extras
include a trailer, cast interviews, HDNet promo and Deleted Scenes with
optional director commentary of very limited worth.
I was
reminded of the simplicity of just doing a thriller when we got the 50-film
budget DVD set Dark Crimes from Mill
Creek. Among the films are B-movies,
authentic mystery films, gangster films and thrillers in the public
domain. Even when they show their age
(especially with most of the transfers squeezed onto each DVD) and might not
work, all are at least ambitious, unpretentious and amusing at the least. Highlights include Cause For Alarm, the original 1949 D.O.A., Gaslight, Inner Sanctum, Mystery Of Mr. Wong, Naked
Kiss, Phantom Fiend and Woman In The Shadows among the
interesting choices. There are no
extras, but this is a nice crash course bulk set for fans interested in these
kinds of films who are not bothered by poor playback performance.
Though
not as problematic as Crest, Noel
Mitrani’s The Kate Logan Affair
(2010) has Alexis Bledel (Sin City)
is a police woman with personal issues who gets involved with a married
Frenchman (Laurent Lucas of The
Pornographer and Pola X) sexually
after falsely arresting him for suspicion of rape, then their affair gets
crazier and he has a possible secret she could never expect. Yet, this is not a thriller, but a drama and
though I do not think the makers did not think they were above thrillers, the
drama only works so well despite some fine performances and a flow in the film
that was surprisingly smooth and professional.
I also
liked the ay it was shot, the look and the feel of the whole thing, yet it
falls flat and the ending only works so well.
In this case, maybe a rewrite as a thriller would have been better. At the rate they were going, this could have
been a huge hit if it went the thriller route.
Sadly, there are no extras.
Last but
not least is Romolo Milian’s Young,
Violent, Dangerous (1976) which is an
Italian thriller of three young men out on a killing spree for fun and
thrills in then-modern Venice Italy and
surrounding areas. Tomas Milian is the
cop after the trio of young men from good families and Fernando Di Leo co-wrote
the script, yet the film is a very mixed bag with some amusing moments, good
casting, interesting locations and even interesting situations, but they never
add up, the action is badly directed and badly choreographed, ruining what
should have been a film a brutal as a Di Leo release.
Stefano
Patrizi, Benjamin Lev, Max Delys and Eleonara Giorgi round out the main cast,
though the rest of the supporting actors are good, that is until they are
fighting or shooting guns at each other.
Still, I was entertained as much as just about anything here and it is
worth a look for those interested.
Extras include a trailer and featurette Ragazzi Fuori, but the PDF booklet on the film was not on my DVD
copy of the film despite the disc saying it was.
The 1080p
2.35 X 1 digital High Definition image transfer on Crest does look good and despite a few style choices, has solid
performance throughout. The 1.33 X 1
(and variations thereof) on the Crimes
set can have some awful transfers and some acceptable, watchable ones, but
there is plenty of compression here and it looks worse on an HDTV, so
beware. The anamorphically enhanced 2.35
X 1 image on Kate and letterboxed
1.85 X 1 image on Young are about
even with Kate looking a little soft
despite being a good shoot and Young
coming from a print off of the original 35mm negative, which makes us wonder
why it is not anamorphic too. Of course,
both look better than the compressed DVD set.
The
DTS-HD MA (Master Audio) 5.1 lossless mix on Crest is also decent and despite many quiet and dialogue-based
moments, it has a good soundfield throughout.
The lossy Dolby Digital 2.0 Mono on the Crimes set can be rough and aged as well as distorted and noisy,
but it could have been worse overall and you know to be careful playback at
high levels until you’ve seen a given film.
The lossy Dolby Digital 5.1 on Logan is more
subtle and this might as well have been simple stereo, though it is recorded
well. That leaves lossy Dolby Digital
2.0 Mono on Young sounding good on
the Italian track and about as good on the English track, considering both were
dubbed in post-production. However, the
English track has awful, politically castrated and dumbed-down dubbing and a voiceover
actor for one of the three young killers who thinks impersonating Frank Gorshin
as The Riddler was a good idea over and over and over again.
- Nicholas Sheffo
