Black Limousine (2012/Anchor Bay DVD)/The
Hunter (2011/Magnolia DVD)/The
Flowers Of War (2012/Lionsgate Blu-ray)
Picture:
C/C/B Sound: C+/B-/B Extras: D/C/C+ Films: C/C/C+
Here is a
group of interesting dramas that may not have always worked, but were actually
ambitious, which is something we do not see enough.
Carl
Colpaert’s Black Limousine (2012)
has David Arquette as an alcoholic father divorced from his wife, but having
found some success composing a music score for a high profile science fiction
film. Without a follow-up project, he
gets a job as a limo driver and the results are being in the vicinity of the
business. This includes becoming
interested in an actress (Bijou Phillips), riding around a high profile actor
(Nicholas Bishop) and meeting others as he fights his personal demons.
Arquette
is really good here and this starts out well, including appearances by Vivica
A. Fox (as a producer, not playing herself) and other good lesser-known
actors. I was with this one most of the time
enjoying and buying most of what was going on.
However, it starts falling apart in the end and seems to run out of
ideas. It is sad this became so
desperate because it was on track to being one of the better films on Hollywood in a while, but
it instead implodes and I was disappointed.
There are
no extras.
Daniel
Nettheim’s The Hunter (2011) plays
the same way, starting out well (despite some scenes and dialogue that ring
false at times) before collapsing into improbability in the last half hour. Produced by the makers of the hit Animal Kingdom (reviewed elsewhere on
this site), this is also set in Australia as Willem Dafoe plays a mercenary
(the title character) sent by a university to find the Tasmanian Tiger. It was thought to be extinct, but now, some
new information suggests otherwise.
An
outsider not welcome in the community, he digs deep into the woods and finds
all kinds of things, investigating how the father of a family disappeared and
might have been murdered because someone (or a group of someones) do not want
anything to be found or explored at all.
He gets to know the family better and is helped by an assistant contact
(Sam Neill), but keep turning up clues as to what is really happening and it is
not always pretty.
The early
flaws eventually catch up with the film as it just becomes unrealistic and this
coincides with it becoming too predictable halfway through. I hoped it would recover, but it did
not. What a shame, but at least the
acting is good.
Extras
include a Theatrical Trailer, Making Of featurette, Deleted Scenes with
commentary and feature length audio commentary by Nettham and Producer Vincent
Sheehan.
Finally
we have Zhang Yimou’s epic drama The
Flowers Of War (2012), the most expensive Chinese film production to date
telling a story of the Rape of Nanking in 1937 as the Imperialist Japanese
enter and do what they want, take what they want and torture and kill who they
want. In the middle of this is a
Westerner (Christian Bale) whose individualistic money-making priorities
suddenly take a backseat to the raping, murdering and pillaging around them.
Bale is
top rate as usual and Yimou has already had international success with the
links of the Jet Li hit Hero,
showing once again he can juggle a big movie with a big cast. The actors are fine and even brave
throughout, but at two hours, 22 minutes, this is a bit long. In addition, the way violence against the
women is handled tries to be honest and not too ugly, but this backfires
slightly as the film has too many longer scenes of the violence being played
out. If this had been shortened, this
would have been a tighter film and a better one.
Also, it
shows how ugly the Japanese could be, but it has some awkward moments on that
issue as well. Still, despite its flaws,
this is the best film here and worth a look.
I also hope this leads to us seeing more of the Asian actors here
because they are really, really good.
Extras
include a five-part making of featurette worth your time after seeing the film.
The
anamorphically enhanced 2.35 X 1 image on both DVDs are a little softer
throughout and overall than I would have liked, though they would likely look
better on Blu-ray. Both are stylized
down a bit and this can backfire in ways it should not, but that is the risk you
take when you take this approach. The
1080p 2.35 X 1 digital High Definition image transfer on Flowers is easily the visual champ here, looking fine throughout
with limited styling and fine clarity throughout. We also get some good depth
shots. This was a mix of HD and 35mm,
brought together well enough, though a pure film shoot might have been better,
it has been a huge hit in China
and is getting to more audiences worldwide.
The lossy
Dolby Digital 5.1 mix on the two DVDs are not great, but Limousine is especially dialogue-based and weak, as if it were a
simple stereo recording. Hunter has more of a soundfield when it
does, though in fairness, it has its share of necessary silences. The DTS-HD MA (Master Audio) 7.1 lossless mix
on Flowers can sometimes be towards
the front speakers, but the real problem is that you have to turn this up more
than usual to hear all the channels so be careful of volume switching. The mix does use the extended channels well
when needed, but this is not as well rounded as it should be. Also, the extras have audio issues (something
we rarely have to discuss) including Bale’s interview audio being recorded way
lower than it should, than being overwhelmed by the added music.
Otherwise,
I liked the mix on Flowers very much
despite the minor issues on the actual film.
- Nicholas Sheffo