Sacrifice
(2010/Gaiam Vivendi DVD)/White Vengeance
(2011/Well Go USA
Blu-ray)
Picture: C/B- Sound: C+/B- Extras: C-/C Films: C/C+
Two new
Asian epic set centuries ago are arrived on home video, but this time, I had
mixed responses to these Chinese tales.
Kaige
Chen’s Sacrifice (2010) is the tale
of a doctor who allows his own baby son to die so the future of the powerful
Zhao family can stay in tact, but seeks revenge later when the young man grows
up as his son and starts to take on his real legacy. Daniel Lee’s White Vengeance (2012) tells of two brothers fighting each other
for power as the Qin Dynasty starts to decline, even unbeknownst to them.
In both
cases, these productions have big budgets, spectacular battle scenes, some
martial arts and great extensive costuming, all the hallmarks of these films
since the latest cycle began over a decade ago.
Unfortunately, both also have more clichés then they should have (the
financers playing it safe), too much talking, too much melodrama and too much
predictability. I even liked the actors
in both cases, but these films are now starting to become a blur and
indistinguishable from each other, which is a sign of the decline of the cycle,
though a recent set of such films set against Japanese Imperialist occupation
from China and Korea are on
the rise.
Fortunately
for the makers of both, these are very popular productions right now and they
are doing business, but both are for fans only.
At least the money is on the screen in both cases and they are ambitious
on a production level.
The
anamorphically enhanced 2.35 X 1 image on Sacrifice
was shot in the Super 35mm film format, but this transfers makes what looks
like a nice shoot too soft, whether we include any digital effects or not. The 1080p 2.35 X 1 digital High Definition
image transfer on White looks
better, but was shot with 4K RED HD cameras with limited color, some motion
blur and minor detail issues. There are
also digital visual effects which are mixed.
The lossy
Chinese Dolby Digital 5.1 on Sacrifice
has some good surround moments, but this is a quiet film often, though a
lossless presentation would likely sound better as it does with the DTS-HD MA
(Master Audio) Chinese 5.1 lossless mix on White
which also has plenty of talking and silence, but is warmer, cleaner,
clearer and more consistent in the semi-consistent soundfield it has overall.
Extras on
both include trailers, but White
adds on camera cast/crew interviews and a Behind
The Scenes featurette.
- Nicholas Sheffo