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Category:    Home > Reviews > Drama > Historic > Biopic > Politics > Civil War > Law > Racism > Lincoln (2012/Steven Spielberg/DreamWorks/Fox/Disney/Touchstone Blu-ray w/DVD)

Lincoln (2012/Steven Spielberg/DreamWorks/Fox/Disney/Touchstone Blu-ray w/DVD)

 

Picture: B/C     Sound: B/C+     Extras: B-     Film: B

 

 

So much has been said and shown about Abraham Lincoln that making any new work on the subject that is meant to be taken serious and work is together than it might seem.  Steven Spielberg’s Lincoln (2012) had so much working against it, including spoofs, satires and the familiarity of the history, but there are things that are not as known and he was determined to make the film and make it work.  Thanks to the coup of landing Daniel Day Lewis in the title role and reuniting with is Munich writer Tony Kushner writing the script, he has pulled off a remarkable film that is say to under-appreciate despite its current critical and commercial success.

A well rounded historical drama that more than justifies its rich 150 minutes, it never feels that long because it is subtly involving throughout, does not allow itself to become merely part of a long cycle of recent Civil War drams and if it could have had a subtitle, Rebirth Of A Nation would be a strong one.

 

From a much longer biographical screenplay by Kushner, Spielberg rightly focuses on the crux of Lincoln’s legacy, passing the 13th Amendment to go with the Emancipation Proclamation and not only reinventing the country, but saving it as a just force for good in the world and on the international stage; something that would never have happened without him.  Backing what he saw as man’s last great hope, Lincoln knew the country could not survive without a solid moral backing that recognized all humanity and people, so slavery had to die and The Civil War was the proof that the country could not last with its built-in contradiction of slavery and preachings of freedom.

 

This has one of the most interesting casts of any Spielberg film, with Lewis so good in the role that it is one of the best portrayals of this president we will ever see.  It is a film as much about its time as now, grappling with many of the same questions we still are dealing with now, showing how very slow real permanent change takes.  Parallels between the Lincoln and Obama Presidencies will resonate with current audiences and long after his successors take over The White House, while the many stories Lincoln tells people (cleverly criticized by Bruce McGill as Edwin Stanton walking out on one of them) shows him as the original Great Communicator before Ronald Reagan, including a poignant moment where he talks with a pair of telegraph operators (elaborate telegraph station in the room) another priceless story.

 

The casting that may seem the most obvious and possibly problematic are Sally Field as Mary Todd Lincoln and Hal Holbrook as Preston Blair, but for the film to be about Americana, they are the perfect choices and they exceed what could have been throwaway performances that lesser actors would have played as filler.  They are joined by David Strathairn as Secretary Of State William Seward, Joseph Gordon-Levitt as Robert Lincoln, James Spader as W.N. Bilbo, Jackie Earle Haley as Alexander Stephens, Tim Blake Nelson as Richard Schell, Jared Harris as Ulysses S. Grant, Gloria Reuben as Elizabeth Keckley, Jeremy Strong as John Nicolay, S. Epatha Merkerson as Lydia Smith, Christopher Boyer as General Robert E. Lee, Lucas Hass in a brief turn and Tommy Lee Jones in an ace of a performance as Thaddeus Stevens.

 

This reminded me most of Spielberg’s Amistad, though they are different enough films and for every serious history film Spielberg does in the future, he needs to get Kushner on board in every case because their synergy is undeniable, especially since Munich (reviewed elsewhere on this site) remains Spielberg’s most underrated film and more poignant and relevant than when it first came out.

 

Lincoln may still cover some familiar territory, but decades from now and beyond, it will endure as one of the best films ever made on the subject.

 

 

The 1080p 2.35 X 1 digital High Definition image transfer was shot in the Super 35mm film format (3-perferation version with fine Kodak Vision 3 negative stocks) by Spielberg’s now longtime Director of Photography Janusz Kaminski and once again, the use of light is more complex and more varied (even diffused in parts) looking good, even with the digital CGI enhancements.  There is sometimes a lack of depth however and color is being tampered with to be on the gray side, but the picture performance is solid throughout and looks really good.  The anamorphically enhanced DVD image on the DVD version is just too soft by comparison and not much of a match for the Blu-ray.

 

The DTS-HD MA (Master Audio) 7.1 lossless mix on the Blu-ray is a top rate mix for a film that is often dialogue based, but we get more than just John Williams’ score in the surrounds, but subtle to fully flushed out uses of sound effects and other ambiance that makes for a slid mix.  The lossy Dolby Digital 5.1 on the DVD is not bad for that older format, but no match for the DTS-MA 7.1 by any means.

 

Extras include a Digital Copy for PC, PC portable and iTunes capable devices, while the discs add The Journey To Lincoln featurette, then the Blu-rays add five more featurettes: A Historic Tapestry: Richmond Virginia, In The Company Of Character, Crafting The Past, Living With Lincoln and In Lincoln’s Footsteps.  They show how much hard work this film really was, but watch them after seeing the film.

 

 

-   Nicholas Sheffo


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