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Category:    Home > Reviews > Drama > Bullfighting > Biopic > Psychology > Mystery > Surrealism > Murder > Missing Persons > Terorrism > V > Blood & Sand (1941/Fox Blu-ray)/Freud (1962/Universal/Umbrella Region Free Import PAL DVD)/London River (2012/Cinema Libre DVD)/Love & Honor (2012/IFC/MPI Blu-ray)/Sirens: 20th Anniversary Edition (19

Blood & Sand (1941/Fox Blu-ray)/Freud (1962/Universal/Umbrella Region Free Import PAL DVD)/London River (2012/Cinema Libre DVD)/Love & Honor (2012/IFC/MPI Blu-ray)/Sirens: 20th Anniversary Edition (1994/Umbrella Region Free Import Blu-ray)

 

Picture: B/C/C/B-/B-     Sound: C+/C/C+/B-/B-     Extras: B-/D/D/C/C+     Films: C+/B-/C/C/C+

 

 

PLEASE NOTE: The Freud PAL DVD and Sirens Blu-ray are both Region Free imports and can be ordered from our friends at Umbrella Entertainment at the website address provided at the end of the review.

 

 

 

Now for a new set of dramas for you to consider seeing…

 

 

Fox originally issued Rouben Mamoulian’s Blood & Sand (1941) on DVD as part of their Tyrone Powers Collection which we covered at this link:

 

http://www.fulvuedrive-in.com/review/5751/Tyrone+Power+Collection+(The+Black

 

They have now released the Technicolor bullfighting drama on Blu-ray and though I am not a big fan of the script or the subject matter of bullfighting, which is forever regressive, the film holds up because it was such an amazing color film for its time and all time, Fox went all out to make it and the cast that includes Tyrone Power, a scene-stealing Anthony Quinn, Linda Darnell, Rita Hayworth, John Carradine and J. Carroll Naish is top rate.  These are the only reasons I can still sit through it, but if you have never seen it, the use of color and how great the stars are make for a must-see-once experience no matter how dated some of the ethnic (mis-)casting may be.

 

The only extra repeats an outstanding feature length audio commentary by one-time President of the American Society Of Cinematographers and Director of Photography in his own right, Richard Crudo recorded for the older DVD that is a crash course in understanding the art of visual filmmaking, color filmmaking and is one of the last long-form looks at filmmaking before higher HD formats started joining 35mm film (and some 16mm film) for feature film production.  Always sharp, thorough and amazing, it holds up extremely well and is worth getting the disc even if you are not a fan of the film.

 

 

John Huston’s Freud (1962) was a project in the works for years and Jean-Paul Sartre even wrote an early screenplay that was apparently way too long and complicated to film.  However, a comparatively shorter script was penned and Montgomery Cliff was well cast in the title role of a film that was still considered a bit daring for its time (this is two years after Psycho and as Twilight Zone is a TV megahit; it owes something to Hitchcock’s Spellbound (1944) as well) and the result is that the 134 minutes still holds up pretty well with some great black and white cinematography, fine casting (Susanna York, Larry Parks, Susan Kohner, David McCallum) continues to make for compelling viewing.

 

Some of it never seems dated and since I first saw it so long ago, the world has even caught up to some of what is here.  Huston manages to direct a biopic that skips the formula and conventions because it is also involved with dealing with the dark sides of the subjects Freud became famous for popularizing.  This deserves an eventual Blu-ray.

 

There are no extras, but definitely catch the film, especially if you never saw it.  It also compares well to the 1984 British TV Mini-Series on Freud we covered at this link:

 

http://www.fulvuedrive-in.com/review/9884/Freud+(1984+TV-British+Mini-Series/B

 

 

 

Rachid Bouchareb’s London River (2012) is a mixed drama with Brenda Blethyn as a woman looking for her missing daughter circa 2005 after some recent terrorist bombings in the country.  In Guernsey, she finds out her daughter was living in a heavily Muslim neighborhood and all this comes as a culture shock as she meets a West African man (Sotigui Kouyaté) looking for his missing son.  They keep running into each other, but it turns out to be for reasons they will soon discover and it is not pretty.

 

A little predictable and definitely slow at only 88 minutes, I liked the performances (Blethyn is underrated in The States in particular) and it was worth a look for the scenes that worked.  I just thought the slowness mixed with some predictability did not help it and so I can only recommend this to the most interested viewers.

 

There are no extras.

 

 

Danny Mooney’s Love & Honor (2012) is a drama set in the Vietnam era with opening sequences that weakly approximate that fiasco (it is too lite for what really happened), but it has us follow two best friends (Liam Hemsworth and Austin Stowell) as they go AWOL (temporarily) to see the latter’s girlfriend who he wants to marry.  There they have some culture shock meeting endless groups of flower children and politically radicalized youth, but the film is more interested in its drama with some comedy that dealing with the politics or realities of the period.

 

Fortunately, the cats is likable and this can be a good-looking work that has some good moments, but it could have been about any war period and by the end, its shortcomings make its weak conclusion show how weak and not so well thought out it all was to begin with.  Aimee Teegarden, Teresa Palmer and Chris Lowell are among the decent supporting cast, which makes it all the more a shame this did not work as it should have.

 

Extras include a Making Of featurette and a Trailer.

 

 

Finally we have John Duigan’s somewhat controversial and still-discussed Sirens (1994) now arriving on Blu-ray.  We cove red the previous Umbrella PAL import DVD at this link:

http://www.fulvuedrive-in.com/review/9946/Picnic+At+Hanging+Rock+(1974/Umbr

 

It was not that long ago I re-watched it and it is still interesting, if not always successful here on what is its 20th Anniversary (already?) but found it more watchable than the DVD by a simple upgrade in fidelity.  See it this way if you can over any DVD edition.

 

Extras repeat all the previous offerings on the DVD version including an ABC (Australian Broadcasting Company) Lively Arts interview with Norman Lindsay, feature length Audio Commentary by Director Duigan and Producer Sue Milliken, Press Clippings/Script PDFs that are BD-ROM accessible and an informal “chat” between Duigan and Grant on the film from the time.

 

 

 

The 1080p 1.33 X 1 AVC @ 35 MBPS digital High Definition image transfer on Sand is easily the image winner here, with the print restored and used for this Blu-ray pretty close to a total representation of a dye-transfer, three-strip Technicolor version of the film, but I found a few places where it could use a little bit of work, but not often.    Director of Photography was by Ernest Palmer and Ray Rennahan, creating stunning work in almost every shot that holds up as well now as it did then.  There are many demo shots here that will challenge the best HDTVs and upcoming Ultra HDTVs too.

 

The 1080p 2.35 X 1 digital High Definition image on Honor and 1.85 X 1 digital High Definition image on Sirens tie for second place for playback performance, but have some minor issues.  Both have been styled down to portray another time and place with Honor not doing a bad job on the late 1960s, but it has its share of shots that lack detail and depth while Sirens has its share of diffused light, soft shots and the like that cut into its fidelity.

 

The letterboxed 1.85 X 1 image on Freud and anamorphically enhanced 1.78 X 1 image on London are much softer than I would have liked and would both look better on Blu-ray.   I’ve seen Freud look better than this, while London simply has detail and depth issues that show a mixed transfer.

 

The DTS-HD MA (Master Audio) 5.1 lossless mix on Honor and 2.0 Stereo lossless mix on Sirens tie for the best-sounding film here.  Both are dialogue-based, but Honor did not have to be so restricted to the front and center speakers, while Sirens is a quiet film at times, but is well recorded and has some Pro logic type surrounds.  The DTS-HD MA (Master Audio) 1.0 Mono lossless mix on Sand and lossy Dolby Digital 2.0 Stereo on River both have background noise throughout and even some harmonic distortion that hold playback back, so they are the sonic runners-up.  The lossy Dolby Digital 2.0 Mono on Freud is sadly a few generations down and too soft and quiet, even affecting the great Jerry Goldsmith score, so it is the biggest sonic disappointment here.

 

 

As noted above, you can order the import version of the Freud PAL DVD and Sirens Blu-ray exclusively from Umbrella at:

 

http://www.umbrellaent.com.au/

 

 

-   Nicholas Sheffo


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