City
Lights (1931/Charles
Chaplin/Criterion Blu-ray w/DVD)/Drew:
The Man Behind The Poster
(2012/Drew Struzan/Kino Lorber DVD)
Picture:
B & C+/C+ Sound: B- & C+/C+ Extras: A-/B- Films:
A-/B
These
new releases bookend two eras of Hollywood, one at the beginning of
great comedy and the other at the end of classic movie poster art.
Charlie
Chaplin's City
Lights
(1931) is one of the groundbreaking geniuses masterpieces of pure
cinema up there with the likes of his best shorts and full-length
films like Modern
Times
(1936, also just issued by Criterion in a superior Blu-ray we highly
recommend) taking a profound, clever, deeply honest and highly comic
look the world we live in. The core of all of his brilliant,
enduring humor is an honest, unrelenting vision of who we are and how
we interact with the world and its changes.
This
incredible love story is concerned with the ability and inability to
find love, happiness and piece of mind in a changing world,
especially one at the time that was starting to industrialize and
technologize. Can he find love with a poor blind gal (Virginia
Cherrill) who thinks he is a millionaire when he is back in his Tramp
persona? Can class division and a Great Depression stand in the way
of the power of love? Are we too quick to allow the attractiveness
of a bright, sparkling, technical tomorrow get in the way of personal
growth and happiness? Can we do anything to stop the downsides of
any of this?
That
is just the beginning of the many questions this brilliant film poses
and to be blunt, it is as relevant as when it was first made like all
true masterpieces, but the fact that it is a comedy actually makes it
more powerful and unstoppable in making its points while being so
often a laugh riot. Chaplin was at the peak of his powers when he
made this film and it has a love of the city, but never totally puts
that over a love of self, a love of people and is extremely healthy
in the way it deals with it all. An all-time cinematic triumph, this
upgraded, restored version of the film makes all those ideas more
palpable than ever and without explanation, shows again why Chaplin
is one of the greatest filmmakers of all time. Catch this version of
it ASAP!
Extras
are many and include yet another great booklet featuring an essay by
critic Gary Giddins, a reprint of a 1967 Time Magazine interview with
Chaplin and the usual technical information you get in all Criterion
releases, while the Blu-ray and DVD adds Chaplin
Today: City Lights,
a 2003 documentary on the film's production, a brand new feature
length audio commentary by Charlie Chaplin biographer Jeffrey Vance
on Chaplin, the film & much more, Chaplin
Studios: Creative Freedom by Design,
a new interview program, archival footage from the production of the
film including film from the set, Original Theatrical Trailers and an
excerpt from Chaplin's great short film The
Champion
(1915).
For
more Chaplin on Blu-ray, see our coverage of his underrated 1947
masterwork Monsieur
Verdoux
on Criterion Blu-ray at this link;
http://www.fulvuedrive-in.com/review/12236/Monsieur+Verdoux+(1947/Chaplin/Criterion+Blu-ra
Erik
P. Sharkey's Drew:
The Man Behind The Poster
(2012) is a documentary and biography of the amazing poster painter
Drew Struzan, the last of a long line of serious artists who made the
movies greater than just digital effects-overloaded package deals
with awful scripts, bad acting and tired formulas that all seem to
have the same badly made posters with giant headshots of the actors
shots generically and stuck in the poster space in boring ways. The
work Struzan made people want to see the films more and sometimes was
better than he film that was finally released.
We
said more about this aspect of his work and more when we reviewed the
book on his art (more in a minute on that), but what makes this solid
97 minutes work is the personal thoughts by Struzan, his wife and
best friends including some of the biggest names in the business. It
is also a biography of the industry for better and sadly worse, but
also a portrait of how artists always struggle to do great work and
how few manage to break through. Struzan did and this makes for its
own amazing story, even more impressive than those of the many films
he helped make more successful.
Extras
include Additional Interviews, San Diego Comic Con Panel presentation
promoting this documentary and the
Original Theatrical Trailer. However, you can read more by getting
the great coffee-table hardcover book about Struzan's amazing work
from 2010 (as printed by Titan Books) which you can read more about
at this link:
http://www.fulvuedrive-in.com/review/10483/The+Art+Of+Drew+Struzan+(Posters/Book+Revie
The
1080p 1.19 X 1 black & white digital High Definition image
transfer on Lights
is a new 4K scan of the two high quality duplicate negatives and
shows how hard work in preservation and restoration on the part of
fans of the films, archives and the Chaplin estate have paid off.
You can still see the age of the materials used in parts, but this is
far superior a transfer to all previous releases of the film and is a
film that is 82+ years old and counting, so that is to be expected.
Director
of Photography Richard Totheron and Chaplin have incredible shot
after incredible shot and so many memorable scenes that it only
furthers the laughs and sense of being where the characters are. The
best shots are stunning quality wise and will surprise those used to
seeing the best silent-era films restored and preserved. It is just
in a few more places than expected, you can see flaws, but this is
impressive overall otherwise and shames many current feature film
shoots.
The
anamorphically enhanced 1.78 X 1 image on Drew
is mostly from newly shot HD footage with few rare instances of
motion blur and visual flaws, plus the occasional vintage film and
video footage, including analog video.
The
PCM 1.0 Mono sound on the Lights
Blu-ray is mostly instrumental and transferred at 24-bits, sounding
just fine and since this is a silent film, the quality is only so
prominent, so the lesser, lossy Dolby Digital 1.0 Mono on the DVD is
not as distracting as it might otherwise be. The lossy Dolby Digital
5.1 mix
on Drew
is mostly interview/talk based and rarely does the multi-channel
arrangement kick in for any reason, but the sound is well-recorded
enough.
-
Nicholas Sheffo