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Category:    Home > Reviews > Horror > Zombie > Psychological Thriller > GIant Monster > Filmmaking > Action > Politics > Aliens > Code Red (2013/E1 DVD)/Dead Ringers (1988/Cronenberg)/King Kong (1976/Umbrella Import Blu-rays)/Reel Zombies (2008/Synapse DVD)/They Live (1988/Universal/Umbrella Region B Import Blu-ray)

Code Red (2013/E1 DVD)/Dead Ringers (1988/Cronenberg)/King Kong (1976/Umbrella Import Blu-rays)/Reel Zombies (2008/Synapse DVD)/They Live (1988/Universal/Umbrella Region B Import Blu-ray)


Picture: C+/B-/B/C/B Sound: C/B-/B/C/B Extras: C/D/C/C/C Films: C/C/B-/C+/B+


PLEASE NOTE: The Dead Ringers, King Kong and They Live Region B Import Blu-rays are only available from our friends at Umbrella Entertainment, will only play on machines that can handle that version of the format (Dead is 1080/50i, so only most non-U.S. HDTVs can handle that one) and can be ordered from the link below.



Now for a new cycle of Horror titles including two zombies titles that actually were watchable and interesting for a change and three enduring genre entries on import Blu-rays, two of which are still not yet available in the U.S.!



Valeri Milev's Code Red (2013) offers the supposition that Joseph Stalin was working on creating a biological superman, but instead failed, yet a result long after the USSR has fallen are... zombies! Yes, post-communist zombies. The script had some potential and a few things look promising early, but that starts to disintegrate (no pun intended) and this becomes another gorefest. The plot also starts trivializing WWII and genocide, intentionally or not, as it rolls on and its credibility fades away.


This takes place in Bulgaria with a cast of unknowns which could have worked to its advantage. At least it started well and they came up with some nice camera shots at times. Too bad they could not capitalize on things. Extras include WWII Uncut piece, Behind-The-Scenes & Outtakes section and a Making Of featurette.



David Cronenberg's Dead Ringers (1988) has Jeremy Irons as twin brothers and gynecologists who become involved in a bizarre relationship with sexy Genevieve Bujold, who is having trouble getting pregnant. For her, things go from problematic to weird in what I always found to be one of the director's weaker works. I did not like it much at the time, found it unmemorable at the time and revisiting it, am still not impressed and found no major surprises. It has its following, but it never worked for me and I can still see problems with it, but that would give away spoilers to deal with them here, so I'll pass explaining.


However, you should see the film once just to see if you like it or not and to see a Cronenberg film people still talk about enough. There are no extras.



John Guillerman's King Kong (1976) dared to remake the massively successful 1933 RKO classic and I remember some critics having their knives out for it and even a then-unknown Jessica Lange before becoming very respected in the film that introduced her. The new script added critique of the oil business, boasted of new special effects (months before Star Wars would open) and had Kong climb the World Trade Center Towers!


Now a curio, it managed to be a big hit (especially because it beat Star Wars to theaters or it might not have done as well) and Producer Dino De Laurentiis tried to pass off Rick Baker's Kong outfit as Carlo Rambaldi's animatronic Kong. Oh, the hype. Jeff Bridges and Charles Grodin were the stars, John Randolph, Julius Harris, John Agar, an uncredited Joe Piscopo and Rene Auberjonois. Issued by Paramount in the U.S., Umbrella has beat them in issuing the film on Blu-ray. Thanks to promotion by Paramount and others worldwide, the film was a big hit and looking at it again, John Barry's music score helped. Timing helped and more of it holds up than you might think, even when it is funny, intentionally and unintentionally.


Extras include 14 Minutes of Deleted Scenes, the Original Theatrical Trailer and a featurette Making Kong (22 Minutes).


Warner has issued the 1933 original Kong on Blu-ray, but rumors are they might do a further upgrade (for 4K?). For more on this 1976 film version and John Barry's score, try this link for the CD soundtrack using the same poster art as this Blu-ray:


http://www.fulvuedrive-in.com/review/2421/King+Kong+(1976+CD+Soundtrack


For more on Peter Jackson's underrated 2005 remake of the film, try this link:


http://www.fulvuedrive-in.com/review/8110/King+Kong+(2005/Universal+Blu-ray



Michael Masters & David J. Francis' Reel Zombies (2008) is about a group of people who are trying to make a zombie movie when things get serious and they are attacked by the real thing; something we have seen often before, but what separates this one is that the actors really seem like a serious group of mature young adults trying to seriously make a feature film, which you never see in any genre at any time in hardly any dramatic capacity anymore. That alone made this far more interesting than similar releases, including Romero's Diary Of The Dead (2007) meaning they were onto something good and also came up short.


Extras include 40 Minutes of Deleted Scenes & Outtakes, the Original Theatrical Trailer and a feature-length audio commentary track with the co-directors and Producer Stephen Papadimitriou.



Finally we get to John Carpenter's They Live (1988), his last great movie to date, one of his best and most under appreciated. Roddy Piper plays a homeless laborer who sees an increasing gap between those with money and power and those without. He is puzzled by the worsening of it all when one day, he puts on a pair of what seem to be innocent sunglasses, but they allow him to see subliminal messages brainwashing people to be mindless consumers and that even wilder, some people are really strange creatures in disguise. These semi-skulled beings turn out to be alines form outer space who have struck a deal with the power elite to suppress the vulnerable and consume endlessly.


The screenplay and directing manage to combine satire, action, suspense, science fiction, terror and social commentary in a film that is constantly effective, wild and impressive. Meg Foster and Keith David are among the fine supporting cast as the film just becomes creepier and creepier, a film that is more relevant today than when it was first released. An unrecognized genre classic and then some, its release on Blu-ray in various regions worldwide is a very welcome development.


Extras are not as extensive as the U.S. Scream Factory Blu-ray or DVD sets, but include the Original Theatrical Trailer and exclusive 2013 interview with Carpenter only on this version of the release.



The 1080p 2.35 X 1 digital High Definition image transfers on Kong and Live are the best-looking releases on the list, and though the transfers can show the age of the materials used and we get some minor transfer issues, but they look far superior to all transfers of all previous releases of the film and have consistent color reproduction. In addition, they are both shot in real anamorphic 35mm Panavision and meant to be seen on a big screen still holding up well in both cases after all these years. The 1080/50i 1.77 X 1 digital High Definition image transfer on Dead is a little softer being interlaced and though the film is from the same year as Live and has a decent print to work with, the results are simply not up to what they should be and this just misses looking as good as it did when I saw it on 35mm film. Both DVDs are here in anamorphically enhanced 1.78 X 1 image transfers that tend to be softer, but the location video (sometimes made to look raw on purpose) on Zombies is the poorest performer on the list.


All three Blu-rays offer DTS-HD MA (Master Audio) 5.1 lossless mixes, save Dead with a DTS-MA 2.0 Stereo mix that decodes decently enough in Pro Logic mode and sounds a little better than the film did in its Criterion U.S. DVD edition and was issued in old Dolby A-type analog stereo like Live was, but Live somehow sounds better, cleaner, clearer and in fairness to Cronenberg is a generally louder film. That lent it much more easily to a 5.1 upgrade. The Kong remake was actually issued in a 6-track magnetic stereo 70mm blow-up with some .1-like bass effects, but they are only used to a limited extent and make the other audio sound a bit weak. Fortunately, the John Barry score fills in some of the difference and recreates the audio that used more of the sound on screen than in surrounds.


As for the DVDs, Code offers a lossy Dolby Digital 5.1 while Zombies offers a lossy Dolby Digital 2.0 Stereo mix, but their sound is very low and average, though Code seems to have some mixing issues, so be careful with volume levels and switching when playing either one.



You can order any or all of the Umbrella Region B import Blu-rays at this link:


http://www.umbrellaent.com.au/



- Nicholas Sheffo


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