The
Freshman (1925/Criterion
Blu-ray w/DVD)/The
Hunchback Of Notre Dame
(1923/Universal/Flicker Alley Blu-ray)
Picture:
B & C+/B- Sound: B- & C+/B- Extras: B Films: B
The
following silent classics are must-see films that now have had the
best possible Blu-ray releases they could have, meaning everyone can
enjoy both like never before...
Sam
Taylor and Fred Newmeyer co-directed The
Freshman (1925), a
classic Harold Lloyd comedy that became his biggest hit, playing the
title character, the new guy on campus plots to be the new big man
there any way he can. However, despite thinking out and working out
what he thinks is a full-proof plan, just when it might work,
everything goes all wrong to hilariously catastrophic heights. This
is as much proof as any film that Lloyd could go a few rounds with
the comedy greats of the silent era like Chaplin, Chase, Keaton,
Arbuckle, Laurel & Hardy.
The
forerunner of endless comedies set on college campuses, this is
before the 1980s when such comedies were inadvertently about the
decline of education at said institutions, but this classic original
hints at the classic division of those who could afford education
versus those who could not and likely gained resonance as the Great
Depression soon arrived. It has a certain value today even Lloyd
himself could not have imagined when he made it. For all the laughs,
the greatness of the film and how well it still works, you should see
it and see it again.
Extras
include another fine booklet on the film with tech info and an essay
by Stephen Winer, while the discs add a feature length audio
commentary track by Lloyd scholar Richard Correll, Richard Bann &
Leonard Maltin, Correll talking about Lloyd with film scholar Kevin
Brownlow, John Bengtson's visual essay on the film entitled Harold
Lloyd: Big Man On Campus,
a 1963 tribute to Lloyd by Delta Kappa Alpha where he is joined by
Steve Allen, Jack Lemmon and Director Delmer Davies, Lloyd's
hilarious 1953 appearance on the classic TV game show What's
My Line? that has him
promoting a reissue of this film, Lloyd introducing the film on
cameras in later years & clips from the 1966 documentary Harold
Lloyd's Funny Side Of Life
and three classic silent Lloyd shorts restored: The
Marathon (1919), An
Easterner Westerner and
High & Dizzy
(both from 1920).
Save
the 1939 Charles Laughton/William Dieterle/RKO sound version, the
classic Universal silent The
Hunchback Of Notre Dame
(1923) with Lon Chaney's groundbreaking performance as Quasimodo is
as faithful and amazing film of the classic book as any version
(including for TV and in animation) ever made. Going on 91 years old
as of this posting (!), it was part of a classic trilogy of silent
Hollywood horror with the 1920 John Barrymore Dr.
Jekyll & Mr. Hyde and
1925 Chaney Phantom Of The
Opera (both also reviewed
on Blu-ray elsewhere on this site) as earl;y key horror classics,
though some may debate the extent of which this film meets the
confines of the genre.
A
hugely-budgeted epic production that became a hit that kept the
then-smaller Universal Studios on the map, they put it all on the
line and the results still pay off today. The acting works, the
production design is still amazing after all these years, Chaney
transforms himself into the character and steals every scene he shows
up in, Director Wallace Worsley is often forgotten in the shuffle but
pulled off one of the great silent Hollywood epics and the film
succeeds in creating the density of the world where the story takes
place very convincingly with no less than five cinematographers
capturing all the big screen shots made to be as huge as the
Cathedral much of the iconic action takes place at.
For
those who might underestimate silent films, you will be surprised how
engaging and rich this is, just like reading the book and it has the
benefit of being a production that works spectacularly and is a pure
cinematic experience that has been imitated, referenced and even
literally visually sampled (think of the classic Music Video for
Cyndi Lauper's priceless remake of Girls
Just Want To Have Fun)
that speak to why it remains an all time classic. Of course, the
greatest satisfaction seeing it now is that as hard as it may be for
some to believe, nothing here whatsoever is a digital visual effect!
Extras
include a fine feature length audio commentary track with Lon Chaney
scholar & professional make-up artist Michael Blake, silent, rare
behind-the-scenes footage with Lon Chaney out of makeup on the
Cathedral set (runs 1:40), 50 stills including publicity shots for
the film, a booklet on the film with an essay by Blake in the Blu-ray
case and Alas and Alack, a short one-reel film from 1939 in
which Chaney plays a hunchback, running 13:17.
The
1080p 1.33 X 1 black and white digital High Definition image transfer
can show the age of the materials used, but neither have ever looked
better on video, though Freshman
is a 4K transfer from well preserved 35mm elements while Hunchback
comes from the best surviving 16mm reduction print as restored a few
years ago. Freshman is in fine shape for its age and I was impresses
by some shots in particular. Hunchback
has had some light digital cleaning up versus its previous DVD
edition from the same print, but I just wish the original
photochemical elements had been transferred carefully with wetgating
to get rid of the scratches and flaws that it could get rid of.
Otherwise, the Video Black and Gray Scale is impressive and far
better than the many bad prints we have seen over the decades.
The
PCM 2.0 sound on both films feature music scores that have been more
recently recorded and though they sound fine, I would rather watch
these in truly silent form and get more impact out of them. The
Freshman
DVD is lossy Dolby Digital sound that is a little weaker.
-
Nicholas Sheffo