Boredom
(2013)/Mobilize
(2014/Disinformation DVDs)/The
Prosecution Of An American President
(2013/First Run DVD)/Roger
& Me (1989/Warner
Blu-ray)/Salt Of The Earth
(1954/Film Detective DVD)
Picture:
C+/C/C+/B/C Sound: C+/C+/C+/C+/C Extras: C/C-/B-/B-/D
Main Programs: C+/B-/B/B/B
We
have all kinds of controversy, truth to power and humor in the
following documentaries and a classic political film drama that
remains the only U.S. film in U.S. film history censored nationally
by the federal government.
Albert
Nerenberg's Boredom
(2013) is an amusing, usually informative and sometimes speculative
look at what being bored is, how it affects us and why is it so
under-discussed and not researched. It is not too boring at 61
minutes in its regular-speed version and does have some good moments,
yet I think it could have been a little longer and asked even more
questions. Not that the humor makes it smug or the like, but I would
have liked this to work more effectively and maybe have some kind of
revelation since it is rarely-covered ground. Still, at least
someone finally brought it up as a topic.
Extras
include a sped-up version of the program that does not work and is
barely amusing, plus two more clips: Stages
of Boredom (3 minutes)
and The Mountain That
Boredom Built (4 minutes)
Kevin
Kunze's Mobilize
(2014) tells us that despite the compactness and improvements in cell
phone technology, they may be as deadly and unhealthy as ever. In
fairness to the companies that make and distribute the product, there
are warnings about usage, but this program wonders if it is too
little, if having children have cell phones is a major health issue
and if there are hidden dangers. Fair enough in a program that look
at the rise of the cell phone and where we are with the $20 Billion+
industry now. Running a much healthier 84 minutes, it is definitely
worth a look and a must-see for anyone who has a cell phone,
especially if they are obsessed with the one they have.
A
trailer is the only extra.
David
A. Burke and Dave Hagen have co-directed The
Prosecution Of An American President
(2013) for legendary legal prosecutor and writer Vincent Bugliosi, a
man who is hardly a bleeding
liberal who is still
rightly furious about George W. Bush and thinks the entry in Iraq was
so bad, so intentional, so careless, so irresponsible, so ignorant
and so horrid, he and his book have built a case that he should be
prosecuted for mass murder!
We've
heard this about him and many presidents over the years, but there
was a certain callousness (et al) W. Bush showed (like saying he did
not know where Bin Laden was and was not concerned) that more than
likely upset more people across the country and political spectrum
than has been reported. Michael Moore has pointed out many such
things about W. Bush as well, but Bugliosi goes out of his way it
make a legal case why what he and his administration did should have
never happened, should never happen again and goes into minute detail
(especially in the book he published on the subject, hard as that was
to get published) on how this could/should be prosecuted legally if
the will was there.
Hard
not to agree on some key points and it is great to see someone even
more strongly spell out how this worst administration to date was so
reckless. Forget about how the Republican Party, Fox News and the
Military-Industrial Complex would be defending him, it is worth
discussing (especially if he skipped getting Bin Laden early on as
one scene suggests) and if enough people decide to seek justice, it
could happen against anyone committing a crime. On the other side of
this, any president could be accused of the same thing as so many
killings happen at U.S. hands in wars and covert operations when wars
are not happening, bringing up another side of the argument. The one
piece of justice Bugliosi and non-W. Bush fans can be happy about is
how much his legacy is in doubt and how his 8 years continues to
cause permanent damage to the Republican Party. However, that is not
enough and that leads to one final question: could the United States
survive another administration being so out of control? Bugliosi can
take some comfort that he has left a permanent record of how to deal
with such an unprecedented situation in the future should it turn up
again.
Extras
include six deleted scenes that further enhance his position,
including showing Bush having a great time while people are being
killed and risking their lives.
Michael
Moore unexpectedly put himself on the map worldwide with his
documentary Roger & Me
(1989), which had its share of promotional confusion and from who
Roger was (he looked like Roger Ebert and there was that poster art
(featured on the Blu-ray cover) of him pointing a microphone at an
empty chair), then the focus became about a live rabbit begin killed
and there were those political attacks on the film. What was going
on here? All that, combined with some stellar reviews made this a
hit documentary, something at the time that was considered impossible
or very rare if it was not a music concert.
Partly
biographical, Moore was born and raised in Flint, Michigan, which
happens to be the birthplace of both General Motors (an automotive
company that eventually surpassed Ford to become the biggest car
company, then biggest company outright in the world at one point)
then also become the birthplace of the United Auto Workers (UAW), a
union that made sure got paid a fair, livable wage. Unions peaked in
1950 as big companies (staring with the Taft-Hartley Act) wanted to
slowly lower wages, but WWII had just ended, the Cold War had arrived
and that generation wanted what they got and would get it.
Footage
of Moore growing up is followed by newsreel, TV and industrial and
promotion film footage of the many great times GM delivered to their
workers, customers and themselves when
they
paid people well and worked with them. So by the end of the 1980s,
what happened? GM started closing manufacturing plants in the U.S.
under the odd cover of trying to save
the company and keep profits high, but they were already having
record profits, so what was wrong here? They were also building new
plants in Mexico, using their saving it diversify and abandoning
their birthplace. Why?
Moore
purposely never answers most of the questions he poses so his
audience can figure it out and to get us all to ask more profound
questions. At the time, GM seemed like an unbeatable, unstoppable,
mega-profit juggernaut though foreign import cars were cutting into
profits a bit. But part of it was the political rollback mentality
to erase history (throwing away the UAW roots and their own is a
great way of saying they don't owe anyone anything) as if they just
magically appeared as a giant multi-national corporation all by sheer
will and the employees were just disposable fodder.
The
fact is, though Moore does not get into it, what GM did was a
microcosm of the Reagan Years (which we are still in) where nearly
the entire blue-collar manufacturing infrastructure was dismantled
and sold for scrap for big short term profits, a rollback of workers
rights, civil rights and a cashing out of The American Dream against
hundreds of thousands of hard workers who never did anything to
deserve being trashed and abandoned. The country has been paying the
highest price ever since.
Yet
the film also constantly shows the condescending behavior towards
those without) soon to joined by many more in large numbers) by
these businessmen who want to substitute their high paying jobs of
lower paying right-to-work-for-less employment elsewhere, including
in Southern States as recommended by a visit of Reagan himself! Oh,
and conversion to Evangelical Christianity as substitute for
hopelessness and depression, instead of actual financial or personal
help.
But
then back at GM, no answers and CEO Roger Smith keeps dodging Moore,
not just his questions, but the man himself. Of course, it becomes
ridiculous from the many places and ways he is rejected and rudely
thrown out, to being talked down to to getting to what Smith is
really up to. It was (way?) less obvious then, but Moore was
implying from the words of GM and their own reps that the company had
become super-greedy and one spokesman even says there might be a time
GM might not exist. That was very shocking to most in 1989,
especially with the phony bright
new day in America talk
Reagan and company kept pushing.
Moore
was seeing Late Capitalism in America for the first time where no one
matters but the rich few, that these rich people were betraying the
country and its legacy without most knowing it, realizing to or
wanting to believe it because the share-the-wealth working ways had
more than proven to be the best system of all and it was invented in
America. No, GM was on a slow self-destruct that was nothing short
of betrayal, that sunk in when they needed their 2008 bailout to
avoid that hard-to-believe collapse and haunts the company as of this
posting with recalls (which have been fatal when not corrected) that
has spread to most manufacturers.
25
years later, Roger &
Me looks prophetic, but
Moore and many on the Left knew and understood the betrayal going on,
something he would become more explicit about in Fahrenheit
911 and Capitalism:
A Love Story (both
reviewed among his many works elsewhere on this site) reminding us
all of the phrase if it
ain't broke, don't fix it!
Now,
we've all been fixed and the damage is as bad, awful and unnecessary
as ever. People are starting to get sick of all this finally, but
can we get enough real leadership to finally push the clock forward?
I like Moore and GM, so it always makes me sad when the film is over
to see how much it holds up. If you have never seen the film before,
it is a must see, but if you liked and and have not seen it for a
while, you should revisit it. It just gets better and more
interesting with age.
Extras
include the Original Theatrical Trailer and a classic feature length
audio commentary track by Moore.
Last
and definitely not least is Herbert J. Biberman's Salt
Of The Earth (1954), the
film as noted above that is the only one ever banned throughout the
United States in all of cinema history. Why? Was it because of
graphic violence that was too realistic? Was it the first hardcore
sex film so shocking that it had to be stopped? Did it tell some
dark secret people would kill to keep? Was it a horror film so
graphic that the government expected mass riots and madness? Did it
show people how to make deadly escapist drugs for free? Did it try
to reveal top secret government information like a weapon deadlier
than the Atom Bomb? Was it a snuff film where people were being
killed on screen for fun after being tortured, et al?
No.
It has some moments of fighting, no drugs, a little drinking, no big
secrets, no sex and not even a Rock 'N Roll song. So why was it
banned? The Hollywood Ten, blacklisted (and usually Jewish)
filmmakers banned in Hollywood for supposed Communist activities
(which were NOT illegal and even encouraged during WWII after Hitler
betrayed Stalin) banded together to make this film with the
co-funding of an actual workers labor Union. The drama would be of
miners in New Mexico of Hispanic ethnicity trying to hold their
solidarity and union together as the greedy mine owners (admittedly a
little cartoonish) could care less about their safety and pit them
against their Anglo/White male counterparts.
Then
the film gets wilder when it attacks the recently passed (circa 1947)
Taft-Hartley that the film addresses in limiting Unions (much of
which has still not been struck down since), shows the suffering at
worst from having any strike and to top it all off, advocates that
women come out of the kitchen (as a time the powers that be were
trying to return them there after WWII) to protest and picket for
their wokring men and that sexism was unacceptable. WOW! All that
was actually more dangerous, shocking and subversive than everything
combined that I suggested in the first paragraph by those who had in
banned in the greatest country in the world.
Anyone
who had not been blacklisted, including character actor Will Geer,
were automatically added to the list in one of the most disgraceful
moments of film censorship ever. Politics aside, the film is not bad
and holds up well as a melodrama, with some points and parts dated,
yet others (sometimes sadly) as relevant as ever. Of course, it does
represent a Left Wing discourse, but one that was needed at such a
dark time. Even when one might consider it communist (one could
compare it to Eisenstein's Strike (his first full-length film
in 1925) on some level) with a mix of good ideas and limits. No
matter what, all serious film fans and adults with a brain should see
this film at least once to see for themselves. Nice to see it on
DVD!
There
are sadly no extras, but a restored special edition in Blu-ray would
be ideal.
The
softest performers here are from the
anamorphically enhanced 1.78 X 1 image on Mobilize
(which can also have a little sloppy editing) and black & white
1.33 X 1 image on Earth
(an orphan film, as noted). They're still watchable, but a little
rough. The anamorphically enhanced 1.78 X 1 image on the Boredom
and President
also have some rough footage as expected for a documentary, but are
more consistent throughout, landing in the middle of playback quality
of the titles here.
However,
the clear visual winner is the 1080p
1.85 X 1 digital High Definition image transfer on Roger,
which can show the age of the materials used, but this is far
superior a transfer to all previous releases of the film as it comes
from a newly restored copy of the film which it turns out no good
35mm or 16mm print was available of. Warner Bros. changed that and
now we have this solid performer with the newly filmed footage often
looking great and classic film clips really solid for their age.
Even if you have seen it before, you'll be surprised how good this
looks.
All
the sound here is in lossy Dolby Digital presentations, with Boredom,
Mobilize
and President
offering lossy Dolby Digital 2.0 Stereo, then Roger
and Earth
offering lossy Dolby Digital 2.0 Mono. They are all on par with each
other, as the Stereo presentations still have rough sound and mono
sound, but Earth
is the real rough one being 60 years old as of this posting, so that
is to be expected. I still wish Roger
had a lossless presentation, but it will do.
-
Nicholas Sheffo