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Category:    Home > Reviews > Horror > Thriller > Writer > Deadly Revisions (2013/SGL Entertainment/MVD Visual DVD)

Deadly Revisions (2013/SGL Entertainment/MVD Visual DVD)


Picture: C+ Sound: B- Extras: C- Film: C-



Gregory Blair's Deadly Revisions (2013) is, you guessed it, a horror movie about a writer.


Waking up in a hospital bed with no memory and nerve damage, a writer sees a psychiatrist, who puts him under hypnotherapy in an attempt to regain his mind. Haunted by memories of a failed marriage and alone to his thoughts on his own, the struggle between reality and fiction start to weave as nightmarish visions become real.


The cast of unknowns includes Bill Oberst Jr., Mikhal Blokh, Cindy Merrill, and Lise Hart. The film starts out pretty slow but the audience as much in the dark but once the writer gets hypnotized, we go into flashbacks where he fights with his wife and discovers a dead body at the end of the stairs. The cinematography is dark throughout and not terrible, and a few of the characters that he sees in 'nightmare vision' are kinda cool, especially a couple masked murderers.


In many ways the film reminds me of Secret Window with Johnny Depp that came out a few years ago. The main character in that was also a writer who was losing his grip on reality, finding solace in his fictionalized reality. I enjoyed that film a little more than this one, as I feel like this film has a less likeable lead and long periods of character development where nothing but bad dialogue really happens.


Presented in standard definition with an anamorphic widescreen aspect ratio of 1.85:1 and a lossy Dolby Digital 2.0 Stereo track, the film looks and sounds okay for a low budget film, but has a murky transfer that is very noisy with several shots that are in soft focus. The film looks as if it was shot on Digital or with DSLR cameras, which commonly produce this look. Extras include two trailers and a blooper reel.


All in all, the low budget horror flick Deadly Revisions is a decent effort with a look that reminds me of a '90s independent film and an at-times familiar story that manages to be interesting, despite its pace.



- James Harland Lockhart V

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