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Category:    Home > Reviews > Drama > Quest > Scheme > Business > Adventure > Thriller > Kidnapping > Psychosis > Mystery > Prequel Series > Big Gamble, The (1961/Fox Cinema Archives DVD)/A Cry In The Night (1956/Warner Archive DVD)/Gotham: The Complete Second Season (2015 - 2016/DC Comics/Warner Blu-ray set)/Superbeast (1972/MGM Limited E

Big Gamble, The (1961/Fox Cinema Archives DVD)/A Cry In The Night (1956/Warner Archive DVD)/Gotham: The Complete Second Season (2015 - 2016/DC Comics/Warner Blu-ray set)/Superbeast (1972/MGM Limited Edition Collection DVD)/The Terrorists (1974/Fox/Studio Canal/Umbrella Region 4 PAL Import DVD)/To Have And Have Not (1944/Warner Archive Blu-ray)



Picture: C/C+/B/C/C+/B Sound: C/C+/B/C/C+/C+ Extras: D/D/C+/D/D/C+ Main Programs: C/C+/B-/C-/B-/B



PLEASE NOTE: The Terrorists Import DVD is now only available from our friends at Umbrella Entertainment in Australia, can only play on players that can handle the PAL DVD format and can be ordered from the link below, Big Gamble & Superbeast are online-only releases and can be ordered from the sidebar of the website and the Cry In The Night DVD and To Have And Have Not Blu-ray is now only available from Warner Bros. through their Warner Archive series. All can be ordered from the links below.



And now for a new mix of action and genre releases...



Richard Fleischer's The Big Gamble (1961) is a 'get rich scheme' tale with Steven Boyd, Juliette Greco and David Wayne selling goods by establishing a trucking business in Africa, but the elements and other unforeseen events land up more than getting in the way of their journey to riches in this professional, competent and mixed tale arriving on DVD from the Fox Cinema Archives series. Any Fleischer film is worth a look and this is not exception, even with a cut-up TV print as it is here, but this Irwin Shaw-penned 100 minutes tends to be more generically plotted and predictable. Still, it has some good moments if you can get through the flat parts.


There are sadly no extras.



Frank Tuttle's A Cry In The Night (1956) is quite the curio with Raymond Burr as a very mentally disturbed man who is spying on couples kissing in a romantic place in the park when he is spotted by a man (Richard Anderson of The Six Million Dollar Man and Bionic Woman) who is knocked out by the voyeur, who then kidnaps his date (a young Natalie Wood) leading tot he film's ordeal. The police get involved and there are more surprises, but know that Edmond O'Brien and Brian Donlevy co-star in what has to be one of the most interesting curios we've revisited in a long time. With all those names, this is a must-see for all serious film fans.


Not bad overall, but it drags sometimes. This Warner film has been issued on DVD by Warner Archive and definitely is the kind of film that should be in print. Catch it if you are interested, as it has some interesting moments and I like these actors.


There are sadly no extras.



Gotham: The Complete Second Season (2015 - 2016) continues the prequel series of the years before the advent of Batman, but like the series Bates Motel (based on Hitchcock's 1960 masterpiece Psycho) and the Daniel Craig era of James Bond, this is prequel history the characters did not necessarily need and was not there when the characters originally caught on. The show has been a hit nevertheless, as this review of the debut season shows...


http://www.fulvuedrive-in.com/review/13773/Gotham:+The+Complete+First+Season+(2014


So what we see are the rise of the villains that would run Gotham and origins of other good people, plus some side characters we've never heard of before. The big glaring issue here is this means all of Batman's villains are 10 to 20 years older than he is, which is dumb and does not make any sense. However, DC Comics/Warner needs all the hits they can get in the face of Marvel's theatrical successes and this goes along nicely with the Arrow, Flash, Supergirl and even Legends Of Tomorrow hit shows, proving how strong the DC stable was, always has been, is and always will be. Still, it is happening before all those shows, so it is in its own alternative universe in all kinds of ways and cannot be seen as absolutely connected to the current universe.


Guess DC will never really get away from those multiple earths.


Extras include Digital HD Ultraviolet Copy for PC, PC portable and other cyber iTunes capable devices and an episode guide on paper foldout, while the Blu-rays add Character Profiles, 2015 Comic-Con Panel and four Making Of featurettes.



Gordon Schenck's Superbeast (1972) is a very, very, very, very, very, very low budget attempt to do a monster film in the Dr. Moreau mode, but it lacks the budget, make-up, script, pacing and suspense to go anywhere. This was a time when low budget monster pictures could work if things were really pushed, but they're not. Issued on DVD as an MGM Limited Edition Collection, this was shot in the Philippines (where it was really cheap to do at the time) and has Antoinette Bower and Harry Lauter among its cast trying to bring this to life. Too bad it is D.O.A. And I don't mean the Noir classic.


There are sadly no extras.



Casper Wrede's The Terrorists (1974) has Sean Connery as a top police official taking on Ian McShane as a clever terrorist whose crew takes a plane and its passengers and crew hostage as leverage for a kidnapped official elsewhere with others that are part of McShane's gang. 42+ years later considering the title and subject matter is as topical as ever, it is not a bad film at all with suspense, good pacing, a smart screenplay and good acting all around.


Fox issued this in the U.S. and Studio Canal apparently now at least has world rights, issued here by Umbrella in Australia as an import DVD. Connery had just left the Bond role again (1971's Diamonds Are Forever was a huge hit) and he was trying to get a hit outside of the series, taking on meaty scripts like this one and even when the films were not as big, they were always interesting and he was still considered bankable along with being one of the world's biggest movie stars by that time. Maybe some of this has aged a bit, but that never hurts it much and the music score by Jerry Goldsmith is a plus. If you have not seen this one or not seen it in a long time, catch it ASAP.


There are sadly no extras.



Last but not least is Howard Hawks' To Have And Have Not (1944), the film that the director used to launch Lauren Bacall as a star. It worked, but to Hawks' dismay, she and co-star Humphrey Bogart fell in love with each other. What Hawks might have hoped was infatuation was a serious romance that had Bogart finally part from his wife and their volatile marriage. The energy and drama of all this behind the scenes luckily translated into a strong classic on screen from what Hawks described as Ernest Hemingway's worst book. The film would be a critical and commercial hit.


Bogart is a boat captain making a living (his assistant has a drinking problem) when he is asked to help French Resistance members against the occupying Nazis, but is uninterested until a young woman (Bacall) also gets interested. A pesky investigator, secrets, suspense and some smart twists (William Faulkner co-wrote the screenplay!) continue to hold up ad make this a classic all on its own. It has a touch of Noir, but it is anti-Axis WWII material, yet you get sizzling romance and star power made by a Hollywood that used to know how to makes movies and let movies be movies. I have to admit, I like this one as much as ever and it amazing it took so long to reach Blu-ray, but its here and worth going out of your way for.


Extras include the original Lux Radio Theater radio drama adaptation of the film, the Original Theatrical Trailer, the 1946 Merrie Melodies animated short Bacall To Arms spoofing Bogie & Bacall among other things with Elmer Fudd as a waiter & Bugs Bunny as dinner and A Love Story: The Story Of To Have And Have Not featurette.



Gamble is a 1.33 X 1 TV print of a 2.35 X 1 CinemaScope film and save that the color is not bad, it can be a problematic viewing, while the anamorphically enhanced 1.78 X 1 black and white image on Night is pretty consistent and decent with only very minor issues.


The 1080p 1.78 X 1 digital High Definition image transfer on the episodes of Gotham and 1080p 1.33 X 1 black & white digital High Definition image transfer Have are the best transfers here and save a few minor detail issues, are impressive enough throughout. Gotham looks better than the DVDs of the debut season and play just fine, while Have can show the age of the materials used, but this is far superior a transfer to all previous releases of the film restored nicely and with the great look it is known for.


The anamorphically enhanced 1.85 X 1 image on Superbeast looks a bit worn and aged aside from what you would expect from such a low budget film, soft and color inconsistent, but its watchable, but the anamorphically enhanced 1.66 X 1 image on Terrorists is the best I have seen the film in a long time with a decent print that is colorful enough (DeLuxe did the color) ans though detail can be lacking at times, it is an improvement.


As for sound, Gamble is lossy Dolby Digital 2.0 Stereo at best, leaving Night, Superbeast and Terrorists with lossy Dolby Digital 2.0 Mono sound, but Night and Terrorists land up sounding the best with clearer sound than expected. The rest sound second-generation.


That leaves the DTS-HD MA (Master Audio) 5.1 lossless mix on Gotham easily the sonic winner, the only multi-channel release on the list and is as well mixed and presented as all DC Comics series of this period have been. Have offers DTS-HD MA (Master Audio) 2.0 Mono lossless sound that shows its age, but is restored and sounds about as good as it ever well and certainly is better than I have ever heard this film in all these years.



To order The Terrorists Umbrella import DVD, go to this link for it and other surprise releases:


http://www.umbrellaent.com.au/



and to order the Cry In The Night DVD and/or To Have And Have Not Blu-ray from Warner Archive, go to this link for them and many more great web-exclusive releases at:


https://www.warnerarchive.com/



- Nicholas Sheffo


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