
David
Susskind: Howard Hughes The Watergate Connection
(1976/DVD)/Nothing
Stays The Same: The Story Of The Saxon Pub
(2019/DVD)/1275
Days
(2019/Blu-ray)/Pizza:
A Love Story
(2019/DVD/all MVD Visual releases)
Picture:
C/B-/B-/C+ Sound: C/B-/B-/C+ Extras: D/C/C/B Main
Programs: B/B/C+/B
Now
for a nice new set of documentary releases you'll want to know
about...
First,
yet another great episode from the David
Susskind
archive and catalog. This time, it is the rarely discussed
Howard Hughes: The Watergate Connection
(1976) with three guests who are well read, have done their research
and claim that Richard Nixon had a very early connection with the
legendary billionaire Howard Hughes and that the Watergate break-in
was originally done to erase any connection between the two men. We
find out that Hughes evidently gave Nixon's mother (who he loved very
much) a huge loan with no serious collateral in what one might call
money laundering.
They
also think Hughes may have made bribery palatable standard procedure
in politics, but that is not even the half of it (like the story
where Hughes tried to get a couple of presidents to stop nuclear bomb
testing in Nevada because it was disrupting business at his Vegas
hotels.
We
have former prosecutor Terry Lenzner, who worked under Sam Dash as
part of the Senate Watergate Committee, Las Vegas Sun newspaper
publisher and Hughes friend Hank Greenspun and Pulitzer Prize winner
(at the New York Times) and book author ''Nightmare: The Underside
Of The Nixon Years'' J. Anthony Lukas. Running 97 minutes, the
results are an excellent show that is riveting viewing and makes one
reappreciate journalism and how mature adults deal with crisis and
the truth.
As
timely as ever, it is a side of history you do not hear enough about
and is worth going out of your way for to see. Sadly, all four men
here are no longer with us, but this is a great gathering of the
minds indeed.
The
1.33 X 1 color image is watchable, but shows its age and maybe could
use some work, as we get NTSC analog videotape flaws including video
noise, video banding, telecine flicker, tape scratching, cross color,
faded color and tape damage. The Dolby Digital 2.0 Mono is also a
little on the weak side, so be careful of volume switching and high
playback volumes.
There
are sadly no extras.
Austin,
Texas has always been a hot spot for live music, and one of the most
popular venues for the past three decades is the Saxon Pub. This fun
documentary, Nothing
Stays The Same: The Story of the Saxon Pub
(2019) showcases the several different musicians that touched the
club over the years and the many people that share a passion for
music that come together in an attempt to help save the club, which
is on the verge of being closed thanks to the building of condos.
The documentary shows that the Saxon Pub is more than just four
walls, but a musical hub that will live on no matter what structure
holds it.
Made
before the COVID pandemic, you can't help but wonder at the time of
this writing when the music scene will come back again like it is
showcased here and be safe again. This almost makes this documentary
more powerful in that it shows off the freedom of seeing live music
in a club, and the carefree passion and joy these folks had for it.
Nothing
Stays the Same
was a huge winner at the SXSW 2019 Film Festival and won the audience
award. The film is directed by Jeff Sandmann.
Nothing
Stays the Same: The Story of The Saxon Pub
is presented in anamorphically enhanced, standard definition DVD
with a 1.78:1 widescreen aspect ratio and a lossy English Dolby
Digital 2.0 (48kHz) Stereo mix. Obviously shot on video, the
documentary looks fine in SD but could only benefit on Blu-ray or
even 4K UHD. It's fine for the format though.
The
only Special Feature is the Telling
the Saxon Story
featurette
Carlye
Rubin & Katie Green's 1275
Days
(2019) is yet another sad look at injustice in the U.S., but this
time, it is where the law is mixed and subject to more leeway and is
affected by negotiations. In Elkhorn, Indiana, four young men make
the stupid mistake of deciding on a home invasion, all of which goes
wrong when one of the people there dies. Was he killed? Is it just
manslaughter?
The
four men eventually are not loyal to each other and Blake (who is 16)
gets a harsher sentence than it might seem. Thus, a complicated web
of events follow and he lands up in jail for far longer than
expected, though it could be much, much longer with the way things
start to go.
It
is hard to say what the proper punishment is here and who is
ultimately responsible, but the laws as shown in the 81 minutes still
seem not so well thought out and the ambitious prosecutor is looking
like he wants to politically advance, yet you want one who is going
to have zero tolerance for home invasions to begin with. That gives
you an idea of the many challenges and questions you will have if you
can take on this work, though I have seen similar 'should this person
be in jail' or '...in jail like this' and the fact his family is not
rich does play a factor, which introduces more questions. Still,
these stories need to be recorded because you never who what one will
learn or who will be helped in the long run.
The
1080p 1.78 X 1 digital High Definition image transfer can show the
age of the materials used, has some new HD footage, but is also
reliant on older footage. This includes old analog consumer-level
videotape, phone video and professional TV video. Analog
videotape flaws including video noise, video banding, tape
scratching, cross color, faded color and tape damage here too. Thus,
expect more than a few rough patches and the PCM 2.0 Stereo can go
monophonic at times and have location audio flaws.
Extras
include some bonus footage.
Finally,
one I have been personally waiting for for a long time. Gorman
Berchard's Pizza:
A Love Story
(2019) is not a phony melodrama or one guys ramblings of loving maybe
the greatest food ever invented, but a documentary (which apparently
took 11 years to get made) about the rise of pizza, how it arrived in
the United States, how it started in New Haven and that it has the
best three pizzerias ever built and still running: Frank Pepe's,
Sally's and Modern.
We
learn that it was originally called 'A'Pizza' (pronounced A-Beetz!)
and this started around the 1920s! We also see the history of the
country that made it happen, how they did not change when pizza
slowly broke wide (even if the quality was not always there) in the
post-WWII 1950s and a succession of big names than and now connected
to just these three places. We get some great star interviews too.
Then
there is the silly claim that you have not had pizza until you have
visited the three locales covered here, which is a prideful boast and
fun to say, but is a serious disservice to other great pizza locales
like New York City, Valley Forge, Pennsylvania, Chicago (Deep Dish IS
pizza!!!) and Philadelphia for starters, going all the way to the
West Coast.
However,
they are obviously essential and this program spends its nearly 90
minutes (I wish it were longer) covers these places, the history of
the actual area (without ignoring prejudice, et al, to its credit)
and I would love to see be the start of more such documentaries.
Especially with some great pizza places having to permanently close
via the horrid pandemic still raging as we post, it is more priceless
a history than ever before.
The
anamorphically enhanced 1.78 X 1 image has footage going back to the
1920s and 1920s, stock footage or not, some of which could use some
help. The film footage and stills are a welcome plus, but again, we
get analog videotape flaws including video noise, video banding,
telecine flicker, tape scratching, cross color, faded color and tape
damage. The newer footage is well shot and so are the images of the
pizza to go with classic pizza images.
The
lossy Dolby Digital 5.1 is dialogue and interview-based, but the new
audio is well-recorded and the older sound is fixed up as much as
possible, especially impressive considering the lower budget this
probably had.
Extras
include eight Deleted/Extended Scenes, a pleasant feature length
audio commentary track with the filmmakers thai sone of the smoother
ones we've heard lately, a Q&A session after a theatrical
screening of the film and an Original Beginning for the film that
they really should have kept. It was some of the only nighttime
footage they shot and from this program, you would think no one ever
goes to get pizza in the nighttime in New Haven!
-
Nicholas Sheffo and James
Lockhart (Saxon)
https://www.facebook.com/jamesharlandlockhartv/