Adieu
Godard
(2021*)/Queen
Of Glory
(2021*)/Tahara
(2020*)/The
Test
(2021/aka Le
Test/Icarus
DVD)/Time
Traveler's Wife: The Complete Series
(2022/HBO/Warner DVD Set)/Unidentified
(2020/*all Film Movement DVDs)
Picture:
C/C/C/C/C/C+ Sound: C/C/C+/C/C+/C+ Extras: C-/C+/C+/C-/C/C+
Main Programs: C
Now
for a new TV show and a set of foreign films that register in the
comedy and drama categories....
We
start with Amartya Bhattacharyya's Adieu
Godard
(2021) making its rounds as the news that Jean-Luc Godard left us at
91 (via assisted suicide) so a comedy about his films might not what
his fans might be in the mood for right now, but even if he was still
healthy, alive and well, I found this to be a one-joke, predictable
'comedy' with no laughs.
An
archetypal 'dirty old man' (we are already in trouble with this
archetype/stereotype) named Ananda (Choudhury Bikash Das)
accidentally is given a DVD of a Godard film when he thought he was
taking home something more explicit and racy. Not being able to
understand the film, yet intrigued by the female nudity, he decides
to set out and see every Godard film he can get his hands on (we
suspect his Maoist anti-auteur and videotape experimental works) to
see if he can figure out anything while he focuses on more nude
women.
It
is made worse with the first half in half-convincing black and white
for no apparent reason, but the overall work is as scattered as it is
obvious and just becomes a run on for its long, long, 87 minutes and
even its ending does not work. See it at your own risk.
The
anamorphically enhanced 2.35 X 1 image starts in black and white,
turns into color about half-way through and never looks too good,
sharp or clear. Maybe higher definition might reveal some
improvements, but the softness and motion blur seems baked-in and the
black and white is particularly unconvincing. Must have been
shooting with older HD cameras. The issues of softness extend to the
lossy Odia & English Dolby Digital 2.0 Stereo mix, which has
subtitles but is on the soft side too, so be careful of volume
switching and high volume playback.
Trailers
are the only extra.
Nana
Mensah's Queen
Of Glory
(2021) is the strange tale of a young woman named Sarah (Nana Mensah)
going to school in Ohio, having
left her home country of Colombia and trying to make a new life for
herself. Suddenly and shockingly, her mother dies, then maybe more
bizarre, she has left her a Christian bookstore who's name is the
title of this film. Does she keep it, sell it, liquidate it or
continue to run it? She starts running it while she decides, but
that leads to other unexpected things happening and just adds to the
multiple stresses in her life.
This
one runs 78 minutes, does not do enough with the time and despite
some good shots and interesting acting, is not very memorable, is not
exactly a slice-of-life tale and some parts of this were just not
ones I was convinced by. This runs a forgettable 78 minutes. Only
see it if you are really, really interested.
The
anamorphically enhanced 1.85 X 1 image has some good color to it and
shots in it, but it is still too soft overall and the result is a
mixed viewing experience, while the sound is here in both lossy Dolby
Digital 5.1 and lossy Dolby Digital 2.0 Stereo mixes, yet neither is
very strong and its weakness has me again warn to be careful of
volume switching and high volume playback.
Anthony
Nti's 20-minutes-long short film Da
Yie
(2019,) Deleted Scenes and a Producer & Director feature-length
audio commentary track are the extras.
Olivia
Peace's Tahara
(2020) is a more miss-than-hit drama/comedy about two young gals who
become sexually involved in sometimes oppressive circumstances and
how they deal with it, with the twist being we now have social media.
The whole feature 'film' is made on cell phones, but unlike the
cross-dressing indie hit Tangerine,
the use of cell phone shooting does not work.
Rachel
Sennott, whose Shiva
Baby
has been a recent indie hot of its own, plays one of the two young
ladies who get involved, the other being played by Madeline Grey
DeFreece, can be convincing. The problem is, just like ever other
production that insists on showing cell phone screens, the production
cannot seem to get focused and plays in a very choppy manner. If you
can enjoy this one, good luck, but otherwise, don't be surprise if
you also find more issues than not.
The
1.1 X 1 image (yes, you read that correctly) is off of cell phones
for the entire 77 minutes and it just does not work. Did they not
try turning the phones to be wider? At least some times? The lossy
Dolby Digital 5.1 and 2.0 Stereo mixes are about the same, location
audio issues included, so this has
some of the better audio on the list, relatively speaking.
An
Audio Commentary track with director Olivia Peace, writer Jess
Zeidman, cinematographer Tehillah de Castro, editor Troy Lewis, and
sound designer Justin Enoch.
French
comedy films can be good, but when they play like sitcoms or got
awry, they do not work and that includes when they try to be like
Hollywood product. Emmanuel Poutain-Arnaud's The
Test
(2021) has a ridiculous amount of casual profanity like too many
Hollywood comedies do these days, but it is pretty French otherwise.
Too
bad this tale of the Castillon Family takes a simple premise and
beats it to death for 80 long, long minutes in an idiot plot when the
mother of the family (Alexandra Lamy) finds a pregnancy test that is
positive, but has no idea who is pregnant. Forget that maybe the
test is in the garbage because it is faulty, old, but at least may
have dropped in the waste basket in the family bathroom accidentally.
The question is who is pregnant (it has to be someone in or
connected to the family here) and why are they not saying anything?
Well
if my family was this goofy, I would not want them to know either and
is the person with said results aware of the chaos this test could
cause? There is no suspense to mystery because the screenplay
renders everyone a little too cartoonish for its own good and the
fact it is so short shows even the makers must have known this could
only go so far. Should have been a telefilm, if that. Pass on it.
The
anamorphically enhanced 1.66 X 1 image is softer than I would have
liked and the lossy Dolby Digital 5.1 mix is likewise weaker and
lower in volume than I would have liked to the point that I will
recommend being careful of volume switching and high volume playback.
That combination did not hurt me seeing this, as higher fidelity
would have made no difference in my opinion of it.
A
trailer is the only extra.
The
Time Traveler's Wife: The Complete Series
(2022) is
a TV remake of the 2009 feature film with Eric Bana and Rachel
McAdams that I was not a fan of at all, as this review will confirm:
http://www.fulvuedrive-in.com/review/9545/The+Time+Traveler
Warner
felt an new version with Rose
Leslie (Game Of Thrones) and Theo James (a good actor who just
cannot seem to catch a break) might work as a series, but this is
eVen sillier than the feature film and virtually
none of the humor work. Thus, they pulled the plug after only six
episodes, meaning this idea failed twice despite some good actors and
at least some money on the screen. For fans only, if that.
The
anamorphically enhanced 1.78 X 1 image is a little softer than I
would have liked, styling notwithstanding, though dated-on-arrival
CGI digital visual effects do
not help matters. The lossy Dolby Digital 5.1 fares a bit better
with a fairly good surround mix. The combination may work better on
a Blu-ray set, but we'll see.
Extras
include
featurette clips Time
Travel Explained, Rose & Theo: Uncensored Would You Rather... ?,
Chapters of a Relationship
looking at each episode,
Anatomy of a Scene
and Time
Traveler's Wife: A Love for All Time.
That's more extras than previously announced.
Bogdan
George Apetri's Unidentified
(2020) has a detective
named Florin (Bogdan Farcas) who has all kinds of personal problems
when a bizarre case turns up that he definitely wants to pursue, an
arson case he is immediately convinced the suspect is guilty of. He
cannot fully prove
this in the beginning, then some of the people around him say that he
is too obsessed and might be blowing the case. Is he onto the truth
or is he losing it? Or is someone trying to get him to close the
investigation because there is a cover
up?
Friedkin's
Crusing this is not, but we have
seen several cops-over-the-edge films before and this one allows the
lead to start snapping at everyone, but it never adds up to anything,
has a so-so ending and if it is an attempt to deconstruct genre in
any way, that does not work either. The result is very mixed and
even disappointing. Only the extremely curious or diehard genre fans
should bother. I also just directed and was bored with the
director's film Miracle,
so maybe it is just him and his approach to filmmaking. We'll see
what his other films are like.
The
anamorphically enhanced 2.35 X 1 image is strangely the best-looking
of the six releases, though not perfect, warmer, more color rich and
more solid by comparison. The soundtrack is here in both lossy
Romanian Dolby Digital 5.1 and lossy Dolby Digital 2.0 Stereo with
the 5.1 a little better. That makes it the best performing combo on
the list.
Deleted
Scenes and a Director's feature-length Audio Commentary track are the
extras.
-
Nicholas Sheffo