A
Bluegrass Christmas
(2024/Magicom/Insp DVD)/Heartland:
The Complete Seventeenth Season
(2023/eOne/Lionsgate DVD)/Legends
Of The Fall 4K
(1994/TriStar/Sony 4K Ultra HD Blu-ray)
4K
Picture: B+ Picture: C/C/X Sound: C+/C+/A- Extras:
C-/D/B- Main Programs: C-/C/C+
Then
we have these southernish melodramas, et al...
Marco
Deufemia's A
Bluegrass Christmas
(2024) does have a legit musician/performer from the genre in Ben
Pendleton, asked to do a concert to save a horse sanctuary. Can the
show save things? Well Our Gang/The Little Rascals do not show up,
but a cast of mostly unknowns do ands it all gets sappier than
Canadian Maple Trees and you can guess the way-too-safe and
predictable results. No effort was made to pen a better script and I
don't think they cared much.
A
preview is the only extra, though Shaun Johnson of the Heartland
series (269 episodes and counting) shows up, which brings us to...
Heartland:
The Complete Seventeenth Season
(2023) is the latest of the tales of the longest-running series
hardly anyone has ever heard of, simply because it is a Canadian TV
show on a network there called GEM and as soapy as Procter &
Gamble. eOne does handle this in the US along with Pluto TV and
BYUTV, so it is obscure.
Not
as pretentious as its horrid rivals on Hallmark or Lifetime in the
U.S. when they go there, it drags on badly like MidSomer
Murders,
but is so consistently successful, the makers will keep making it,
even if a nuclear war shows up. Start at the beginning about this
multi-generational 'saga' taking place in Alberta, but I'd rather
watch The
Red Green Show.
There
are, not surprisingly, no extras.
The
anamorphically enhanced 1.78 X 1 image is really soft in both cases
and nothing is very memorable, including some outdoor shots that
somehow underwhelm. The lossy Dolby Digital sound on each disc (5.1
on
Bluegrass,
2.0
Stereo on Heartland)
is the default highlight on both and the recordings and mixes (down
to the music) are competent at best. See both at your own risk.
Ed
Zwick's
Legends Of The Fall 4K
(1994) is a melodrama set in the very early 1900s with the trials and
tribulations of the Ludlow Brothers, led by father Anthony Hopkins
and played by Brad Pitt, Henry Thomas and Aidan Quinn. Running a
long 133 minutes, it is one of Zwick's better films and can look
great, the cast (also including the always great Julia Ormond and a
few others you are more likely to recognize than be able to name) is
fine and the period authentic enough.
However,
though I give it points for dealing well with WWI, there is always
something about this film that just seems too lite, passive and maybe
poetic at times, but just lacks a certain sense of 'oomph' and impact
I wish it had, even like Zwick's Glory
did at times. Still, it was a critical and commercial hit, I like
many of the people involved and understand its success. I just never
totally bought it. However, the one thing I can say is that most
people did not get to see the film in its best possible presentation,
especially where sound is concerned. In most respects, this 4K
version corrects that for good, so if you want to see the film, this
is one of the best options available as Sony has given it top rate
treatment in Ultra HD.
The
2160p HEVC/H.265, 1.85 X 1, Dolby Vision/HDR (10; Ultra HD
Premium)-enhanced Ultra High Definition image is from a new 4K scan
and if nothing else, the film looks great except in parts where there
is dirt and noise in some shots (like one sky shot in particular)
where maybe the original camera negative needed a little work. There
are also some shots above my letter grade, thanks to Director
of Photography John Toll, A.S.C., for whom this was a breakthrough
film and he followed with memorable work on Braveheart,
The
Thin Red Line,
The
Rainmaker,
Almost
Famous,
The
Last Samurai
and Gone
Baby Gone.
The
lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) is
a new upgrade for the sound, which originally was one of the select
few films Sony issued in the 8-track version of their underrated Sony
Dynamic Digital Sound (SDDS) and will be the first time most people
get to hear those extra tracks as such SDDS screenings were not easy
to find and limited as only so many theaters had the premium set-ups
to show it that way. DTS and Dolby Digital mixdowns (Dolby's
advanced, analog SR noise reduction system was used for the film as
well) were also available. The
late, great James Horner created the music score, which definitely
helped it from becoming sappier.
Extras
include Digital Movie, while the discs adds a feature length audio
commentary track with Director Edward Zwick and Brad Pitt
PLUS
a second commentary track with Cinematographer John Toll and
Production Designer Lilly Kilvert
3
Deleted Scenes with Director Commentary
Original
Making-Of featurette
Production
Design featurette
and
an Original Theatrical Trailer.
-
Nicholas Sheffo