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Category:    Home > Reviews > Drama > Dear Frankie

Dear Frankie

 

Picture: C+     Sound: B-     Extras: B-     Film: B-

 

 

Emily Mortimer plays the mother who is lying to her son by writing him letters as his father in Shona Auerbach’s Dear Frankie (2004); a Miramax release the studio thought might be a sleeper hit the way they strategically promoted it.  It was not a blitz, yet the film did not find a big audience.  Frankie (Jack McElhone) is deaf and his mother thinks he has enough troubles.  She left her husband since she had her own issues with him and herself, but was especially anxious to protect her son.

 

Though the film is not bad, it has some issues about resolving its dilemmas and that is likely why it never caught on.  It is well cast, acted and directed, but never truly resolves its story.  That is even with the consideration that some of this could never be resolved.  It helps that Frankie has many moments where he thinks to himself and we hear it as voice-over narration of sorts, one of the better ways this has been used in a film recently.  On the other hand, the film lands up not being able to exceed the cycle of working class U.K. persons that has been overdone in recent years.  This is odder still as an Irish cinema is on the rise and British one is in flux.  It is still worth a look if you like serious adult-level dramas.

 

The anamorphically enhanced 1.85 X 1 image on the disc is a bit soft and some of this might be the film stocks used for the lower-budgeted production, but other smearing and detail limits are the transfer.  Auerbach shot the film herself, which at least has a consistent look.  The Dolby Digital 5.1 mix is not bad considering the same circumstances, but this is still a dialogue-based film.  Extras include Auerbach’s pleasant commentary, deleted scenes with more optional commentary by Auerbach, an on-camera interview with Auerbach and an installment on the film for the series Anatomy Of A Scene.  This film is good enough to get a following thanks to this DVD.  We look forward to Miss Auerbach’s next film.

 

 

-   Nicholas Sheffo


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