Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Drama > The High & The Mighty

The High and the Mighty

 

Picture: B+     Sound: B     Extras: A-     Film: B+

 

 

Ok, let me first begin by simply stating that John Wayne is without any question one of the most overrated actors of all time.  Now, before I get hate mail, let me also state that despite this fact, he also happens to still be good actor, certainly a memorable actor, and also has worked on some of the finest films in the history of the medium.  He has also worked with other equal talents and without directors like John Ford, he probably wouldn’t exist as he is known today.  One of the finer films that Wayne would do would be The High and the Mighty from 1954, which unless you saw it in the theater, the chances of you seeing in since then are very slim, especially in good condition.  This film was NEVER released on VHS or LaserDisc for that matter. 

 

The film is directed by William Wellman, who worked with Wayne a few years prior on the film Island in the Sky, and that combination proved successful as well.  That film also is now issued from Paramount and is a contrast to this film because it was shot full-frame black & white, whereas The High and the Mighty is full-fledged color and is shot in CinemaScope.  Wellman’s career dates back to the 1920’s and was a huge director even until his later years.  Both films are worth a look, but most will be seeking after the film that remains the subject of this review. 

 

This would also be the last film for old school cinematographer Archie Stout, who had worked with both Wayne and Wellman in the past and was a very respectable cameraman for his career.  His CinemaScope work here is certainly a great film to go out on.  Adding to the big production is music by Dimitri Tiomkin, who also had some amazing accomplishments during his career and had worked on Red River with Wayne prior to this along with several other pictures like one of my all time favorites Giant, some early film Noirs, Hitchcock’s Strangers on a Train and Dial M for Murder, and would add many more memorable scores to the list before his death.  No doubt about it this film was always meant to be seen big and heard big!

 

So thus far we have a good director, cameraman, composer, and then comes the all-star lineup cast which includes of course John Wayne, Robert Stack, Jan Sterling, Laraine Day, Claire Trevor, and a few other minor cast members that would add a nice amount of weight to the film.  There is no doubt that this film was a huge production, but sadly the John Wayne estate has had this film locked up for years.  Warner originally released the film, but Paramount has the DVD rights for distribution and they have done a stellar job with this one, in fact if Warner still had the rights they probably would have issued it in a cardboard snapper case!

 

OK, so they dropped those, but it took a while.  Anyhow, I would like to go on record as stating that this is probably one of the finest transfers that I have seen on DVD for a film from this era and certainly one of the best CinemaScope films.  I compared the film side by side to some other films ranging from Alexander the Great (1956) from MGM and reviewed on this site, 300 Spartans from Fox also reviewed on this site, even some of the discs from Criterion like Written on the Wind (also starring Robert Stack in a very memorable role) and other really good transfers, but this one has sharpness that I have not seen on very many DVD’s of this age.  Not only detail, but the color fidelity is sensational with very good balance and consistency that only a fully restored version could do, which is the case here.  The film rightly promotes that this is a meticulously restored version, so I suppose that waiting this long for the film has paid off big time. 

 

Fans of the film are going to be floating when they see just how awesome this print is, although fans of this film for the most part are probably in their 70’s by now, so if they are still alive and have 20/20 vision, which is unlikely, anything would look good to them.  This is a film that is definitely sought after and has been for years.  I can remember when people would scour around looking for the film on VHS anyway that they could.  I am sure that bootleg versions existed here and there, but now there is a reason to get a DVD player if you are still holding out. 

 

The sound has also been remixed for a really pleasing Dolby Digital 5.1 mix, which adds new depth to the film and you can hear how the films origins as either a mono or stereo mix has been spread out for a cleaner sound reproduction.  The original 2.0 Dolby mix is also present, which some may prefer depending on taste.  Sound effects travel better than expected and dialogue is quite clear as well.  There is little to complain about here in both sound and picture category.  The film is accurately transferred at the super widescreen ratio of 2.55 X 1 scope and is anamorphically enhanced for this DVD edition. 

 

As if having the film on DVD wasn’t enough, and having a great restoration, Paramount has gone the extra few miles, but making this a 2-disc set which includes more extras than anyone could ever hope for.  Leonard Maltin in all his infinite wisdom begins this disc off, or shall we say movie, with an introduction that is option to view prior to seeing the movie.  Most people will probably watch this once and then move on.  There is also a commentary track by Maltin as well, but at least he is joined by Wellman’s son William Jr. as well as aviation expert Vincent Longo, Karen Sharpe, and Pedro Gonzales (vote for Pedro, just kidding).  The second disc is loaded with featurettes ranging from the film itself to information about William Wellman, composer Dimitri Tiomkin, and some really great stuff about the restoration process.  There is premier footage and just a ton of things that will keep you busy for hours, even from an aviators standpoint this stuff is insightful. 

 

Let’s just say that this could quite easily be Paramount’s best disc this year and certainly one of their best all time when you look at all the categories from restoration, audio remix, extras, and just keeping the consumer happy with the overall package.  This DVD edition can also be purchased inside a new John Wayne box set.

 

 

-   Nate Goss


Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com