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Category:    Home > Reviews > Music Standards > Showtunes > Broadway > The Songwriters Collection (Showtunes/Broadway)

The Songwriters Collection (Showtunes/Broadway)

 

Picture: C     Sound: C+     Extras: C-     Episodes: B+

 

 

As an early program produced for the fledgling cable television business, CBS produced a series called They Write The Songs in 1981 and later dubbed by the title of this set.  The title is a tip of the hat to the Barry Manilow hit I Write The Songs, which Manilow did not write.  In this case, it is some of the most important writers you have likely never heard of, though you have certainly heard their classic music.  The shows running time range from 45 to 55 minutes, as CBS still wanted to broadcast these on commercial broadcast TV, now all collected in The Songwriters Collection.

 

That these shows even exist is now amazing and even those making it could not have possibly known how important these would be a quarter-century later, but here are the original creators performing, discussing, explaining, revealing secrets of and often performing some of the most important music works ever made.  The shows star:

 

 

John Kander & Fred Ebb – Chicago, Cabaret, Woman Of The Year and music for the Martin Scorsese film New York, New York (reviewed elsewhere on this site) are among their great works that they perform together, as introduced by Liza Minelli herself.  It is very entertaining and has a few surprises.

 

Alan Jay Lerner – My Fair Lady, Gigi, Brigadoon, Camelot, On A Clear Day You Can See Forever, and the underrated Coco (with Andre Previn) are among the great works Lerner created, often with Frederick Loewe.

 

E.Y. “Kip” Harburg – The writer of Brother, Can You Spare a Dime?, It’s Only A Paper Moon and Somewhere Over The Rainbow among the 13 songs featured are sung by Harburg with amazing passion and depth.  This is one of the most touching and impressive shows in the series.

 

Sheldon Harnick – Most of his Broadway Musicals have never made it to film, but this incredibly successful Fiddler On The Roof.  He opens up the show himself with If I Were A Rich Man and does an exceptionally articulate show.

 

Burton Lane – Finian’s Rainbow and music for On A Clear Day You Can See Forever are among the remarkable works of the very talented, classy showman and he really shows his range here.  He is in great form resulting in a solid show.

 

Mitchell Parish – Neil Sedaka does a filmed introduction for the man behind musicals like Stardust, Stars Fell On Alabama and Deep Purple, who turns out to have exceptional wit and showmanship to match his music talents.  Good show.

 

Charles Strouse – Bye Bye Birdie, Applause, It’s A Bird, It’s A Plane, It’s Superman and Annie are among the great works he created with Martin Charnin, who joins him on stage for this amazing show.  He also wrote Those Were The Days, the theme from All In The Family he was reluctant to even do.  Fun show.

 

Arthur Schwartz – The Band Wagon and many other MGM Musical classics, including the ever-enduring That’s Entertainment were written by this man, the man who discovered Judy Garland.  One of the guest singers is Nancy Dussault, who was later Ted Knight’s wife on the sitcom Too Close For Comfort.  It is another great show on this set.

 

 

At first, it took a while to get adjusted to the old taping and wondering if all we would get is some cheap, cornball 1970s show that was just thrown together to cash in on trends before such series became refined.  Being from 1981 makes no difference.  Instead, it is a very open show without any formula and dumbing down that is quite a treasury of music and history.  Even if you are not a showtunes person, these episodes are too good to pass up.  For fans, this will be a true collector’s item.

 

The image is 1.33 X 1, except 1.78 X 1 for the Harburg segment, reformatted for the purpose.  The professional NTSC tapings are just a bit softer than expected, but look good and clean otherwise, with slight tape wear in a few sections.  The Dolby Digital 2.0 Mono also shows its age, but stands up a bit better.  The combination is still more than engaging.  Extras are few and vary if they exist at all.  The Ebb, Harnick and Lane segments have stills sections, while some biography information is offered sparsely.  The Songwriters Collection is a pleasant surprise, as if a landmark TV show has been rediscovered.

 

 

-   Nicholas Sheffo


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