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Category:    Home > Reviews > Drama > Foreign > Holocaust > Murderers Are Among Us

The Murders Are Among Us

 

Picture: C     Sound: C-     Extras: D     Film: B

 

 

Some films occupy such a profound place in film history that they defy review on a certain level.  The Murders Are Among Us is one of those films.  Released in 1946, it was the beginning of Germany’s rebirth as a home of cinema.  The Soviets finally were the ones who made it possible for filmmaking to resume, so devastated was German Cinema by Hitler.

 

The only catch is that this would be the beginning of a 44-years-long run for East German cinema.  The Soviets were not interested in supporting a cinema without a catch, but the film is not a propaganda film in their favor either.  It is a film willing to deal with the immediate problem of loss and mistakes that lead to the countries second necessary defeat in a World War.

 

This DVD does a decent job of presenting this key film in a way that is worthy of the format.  The full screen, black and white image is a surprise, despite being an obvious PAL format recycling, but the transfer has some unexpected detail and fidelity despite this.  This is not as good as a new transfer off of a film print directly, but it is still not totally a problem either.  The print is in decent shape for its age, while the gray scale is on the light side form the recycling, yet the video black is better than usual for such a situation.

 

The Dolby Digital 2.0 Mono also is not great, but this is due to the age of the monophonic sound, which was recorded under very bare-bones circumstances.  Subtitles help, while those who might understand German should not have too much trouble understanding what is spoken, but background hiss and other technical limits of what is essentially a low-budget and independent production shows.

 

Extras include a director’s biography, decent photo gallery, liner notes and an unlisted filmography of the director.  These are very valuable features on such a film.

 

When a woman returns to her home after the Allies win WWII, she finds a strange man having taken over the place.  After some conflict, they begin to co-exist, until his past starts to catch up with him.

 

Starring Hildegard Knef, Ernst Wilhelm Borchert, Erna Sellmer, Robert Forsch, and Arno Paulsen.  Music by Ernst Roters, Edited by Hans Heinrich, Cinematography by Friedl Behn-Grund & Eugen Klagemann, Production Management by Herbert Uhlich, Written & Directed by Wolfgang Staudte.

 

East Germany’s rise and fall as a country is interesting, and its cycle of cinema is no less intriguing.  For that relatively brief period, here was a country that had the most efficient police state operation of all the East Bloc countries, yet managed to produce some unique and enduring films that will be rediscovered in time.  There will be unexpected reasons why certain films might be of use and hit certain people in unusual ways, but The Murderers Are Among Us will remain a cut above most. Here is a film before an ideological formula of censorship and suppression set in. Little did the makers know that their wishes of a better tomorrow would result in a new Germany, a reunified Germany, and the sad endurance of the hate that made the wars possible in the first place.

 

First Run’s DVD is a fine record of all this and a key film for any collection that focuses on world film.  It is great to see a film that got it right on just about everything when no one knew how the future would be rebuilt.

 

 

-   Nicholas Sheffo


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