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Category:    Home > Reviews > Soundtrack > Action > Drama > Crime > The Getaway (1972/Unused Music) – Jerry Fielding’s Original Score (CD/DVD set/Limited Edition/Film Score Monthly)

The Getaway (1972/Unused Music) – Jerry Fielding’s Original Score (CD/DVD set/Limited Edition/Film Score Monthly)

 

CD Sound: B     Music: B+     DVD Picture: C+     Sound: C+     Extras: D     Main Program: B-

 

 

Jerry Fielding is one of the great underrated film and TV music composers who found his most prolific partnership with Sam Peckinpah.  For Peckinpah’s Steve McQueen/Ali MacGraw thriller about prison escapes, revenge and stolen money, Fielding delivered another great score, but McQueen was not happy with it and thought it would hamper the film’s commercial prospects.  Overriding Peckinpah, McQueen had it dropped in favor of a Jazz-styled score by Quincy Jones and that is what appears in the film today.  Recently, the FSM soundtrack music label of Film Score Monthly issued the music for the first time ever and even included their first-ever bonus DVD.

 

It was Quincy Jones himself who personally sent a letter to Warner Bros. advocating the release of the original score and it is a winner.  It seems McQueen wanted something leaning more towards Bullitt (with a great score by Lalo Schifrin) than the Southern/Country/Staccato/ “good ol’ boy” style score Fielding delivered.  It was certainly appropriate with the film taking place in the South, though one wonders if another reason was to distinguish himself from competitors like Paul Newman and the up-and-coming Burt Reynolds for the title of Action film king.  Also, the new success of Clint Eastwood with the first Don Siegel-directed Dirty Harry the prior year must have loomed large in how big it went over with audiences.

 

There are 16 tracks here and you can just imagine how this would have worked in the film.  It has never been added to a print, though Warner Bros. ought to consider doing it as an alternate soundtrack when they get around to issuing the film in the HD-DVD and Blu-ray formats.  Fielding was a master of film music and his range, along with his timing, always brought any film or TV project he did to a higher level.  He had few equals and this CD reminds us of that all over again.

 

Because the master tapes had been sitting around unused, yet preserved in good shape, the 16bit/44.1kHz PCM 2.0 Stereo sound is terrific.  I really enjoyed this when I first heard it and though I understand McQueen’s reasoning, even he could not deny what a great work this is.  The DVD has Dolby Digital 2.0 Stereo that is simple and mostly consists of interview audio on the spot from the taping.

 

That DVD is one extra and the terrific booklet typical of all FSM releases is loaded with facts, figures, rare stills and insight like no other company delivers.  They even note audio reel numbers!  We have reviewed dozens of their CDs on this site and they remain among the best in the business.  The DVD offers the documentary Jerry Fielding, Sam Peckinpah & The Getaway that runs 29:54, is a region free NTSC disc (for those foreign readers who will want this set), is directed by Nick Redmond and has a letterboxed 1.85 X 1 aspect ratio that looks just fine for a documentary work.

 

It features interviews with his family, a look at his career, this situation with this film in particular and is a special work for all involved.  It is also the kind of referential work serious film, film music and scholarly libraries would want to have.  However, like just about all FSM releases, this one is limited to only 3,000 copies and when they are gone, you are out of luck unless you want to pay more money.  For that reason, you will want to go to www.filmscoremonthly.com (for this and other great exclusives) and get a set before you let it get away!

 

 

-   Nicholas Sheffo


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