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Category:    Home > Reviews > Horror > Supernatural > The Red Shoes (Horror/2005/Tartan/DTS)

The Red Shoes (Horror/2005/Tartan/DTS)

 

Picture: C+     Sound: B-     Extras: C     Film: C

 

 

If Asian Horror films have not just played out the idea of doppelgangers, they have of inanimate objects.  Not to be confused in any way shape or form with the Michael Powell/Emeric Pressburger classic of the same name, Kim Yong-Gyun’s The Red Shoes (2005) is an outright Horror flick about a pair of attractive pair of shows that kill.  That could have actually been comic in itself, but the Ma Sang-Yeal screenplay wants to be all-Horror and that is why it collapses into formula.

 

Instead of being terrifying, it is flat, dull and never takes off at any time during its somewhat long 103 minutes.  The tagline “one size kills all” is a god one, but the actual film never has that kind of wit.  Oddly, Korea has been turning out the better Asian Horror cinema, but this one just never works out.  It still has enough moments that genre fans may enjoy the better moments and sit through the rest, but there is not enough substance to suspend disbelief here except the usual “trust us, its happening” shtick which never works.

 

The anamorphically enhanced 2.35 X 1 image seems to have actually been shot in the 1.66 X 1 Super 16mm film format, which explains the weak color and definition, though this is still on the clean side considering the digital internegative manipulation.  Color suffers with the title terror never looking red!  Sure, it looks off-red, light fuchsia, pale red, dark pink and every other shade but red.  This is simply because video red even at the highest HD levels is not good red.  The sound is also an issue, recorded with too much slight echo and a general lack of fullness, despite some good surrounds in Dolby Digital and DTS 5.1 mixes.

 

Extras include commentary by the director and cinematographer Kim Tae-Kyung, original theatrical trailer and two featurettes.  One about the making of the film and the other about the visual effects which begins with a great part about film transfers to digital that will be particular interest to film fans.

 

 

-   Nicholas Sheffo


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