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Category:    Home > Reviews > Exploitation > Thriller > Slasher > Sexploitation > I Spit On Your Grave (Elite Millennium Edition)

I Spit On Your Grave (Elite Millennium Edition)

 

Picture: B     Sound: B     Extras: B+     Film: B

 

 

This is a great flick.  Beyond the boundaries of genre, it stands on its own merits as solid entertainment.  Not as artful or intricate as some, but regardless of that, it’s unquestionably entertaining straight up to the conclusion.  Sadly, director Meir Zarchi’s long overdue follow-up, Don’t Mess With My Sister, came as a whimper, and was nowhere close to encapsulating the sheer tension of this film.  Since that film failed to arouse interest either commercially or artistically, he has yet to write or direct another feature.  It is a shame, and one might wonder what could have been had he pushed himself further into film work and perhaps been more experimental with his subject matter.

 

You can read about that follow up at the following link:

 

http://www.fulvuedrive-in.com/review/3001/Don't+Mess+With+My+Sister

 

 

In any case, it would be difficult for a film to replicate the kind of energy found here, despite the director - simply by virtue that the genre was just about tapped out when I Spit On Your Grave initially rolled along.  For a film that came so late in the 70’s exploitation game, it left quite an impact in spite of its simple storyline and the linear progression toward its outcome.  One thing that surely kept it buoyant was the straight-ahead violence that, while not too far from what could be seen in your average exploitation film of the time, never strayed too far over the top long enough to be seen as gimmicky.  This shocked many people, and while I didn’t find myself repulsed, as many still are to this day, it is likely due to a long period of conditioning myself by watching violent movies for entertainment.

 

As mentioned earlier, this is a flawed, but very good film.  One that certainly deserves to be watched.  So despite your presumptions as to the violence or the realistic depiction of the rape sequences, I still recommend viewing it for its more artistic merits.

 

The picture quality on this disc is very good - not perfect but surely the best print we’ll likely see until an HD edition comes about some years down the line.  The THX-approved picture is 1.85:1 is anamorphically enhanced and is as crisp as you could expect from a film of this age with its low-budget origins and those behind the scenes of the DVD have done a fine job representing this on disc visually.

 

The sound is great here - with a selection that not only preserves the original mono track, but also presents the soundtrack in both Dolby and DTS 5.1 surround sound mixes.  The DTS is especially nice, and seems like more of a rarity these days, especially so on slightly more obscure titles such as this one.

 

The extras here are great as well - with the highlight being the two commentary tracks that run the length of the picture.  On top of that, there are the usual trailers, stills and related artwork to be found.  But in all honesty, the commentary tracks are some of the most entertaining I’ve heard yet, and both cover completely separate ground from the other.  Obviously, the film stands quite well on its own, but you could surprisingly very easily catch yourself rewatching the movie just for these tracks, just to glean further insight on the film.

 

The Millennium Edition of I Spit On Your Grave was well handled, and probably the best out of the short run this series enjoyed.  Joe Bob Briggs is one factor in this - his expertly given commentary track is a greatly entertaining and informative look at the film, providing insight to some of the finer points of the movie, as well as placing some objectivity where it’s due.  It feels as though Joe Bob is providing an excellent lecture that functions as a film history on revenge pictures, with all ears in the viewing audience surely attentive.  Pick this one up immediately - it should be damn near a necessity for any movie fan’s collection.

 

 

-   David Milchick


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