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Category:    Home > Reviews > Drama > Comedy > Meet Joe Black (HD-DVD)

Meet Joe Black (HD-DVD)

 

Picture: A-     Sound: B+     Extras: C-     Film: B

 

 

For years since its release, I had hoped that Martin Brest’s Meet Joe Black (1998) would be rediscovered and two DVD versions were issued by Universal, but then Gigli happened and Martin Brest has had a tough time recovering critically and artistically since.  Though not everything about the film has aged as well as I had hoped after seeing this new HD-DVD, other aspects hold up very well and it is one of the nicest back catalog titles in either HD format to date.

 

The story of a rich man named Bill Parrish (Anthony Hopkins in one of his most underrated performances) plays a rich mogul about to turn 65 who is suddenly having health problems.  He hears voices, which turn out not to be insanity (some of them sound like his) but that of death, who soon appears as a young man (Brad Pitt, playing the grim reaper in the great tradition of Universal’s 1930s monsters if you pay attention) who decides to enter the world of the living after millennia after millennia of taking human mortal lives from the land of the living.

 

The twist here is that as a human, he starts to fall in love with Bill’s daughter (Claire Forlani) and does not know how to react to being mortal.  The Ron Osborn/Jeff Reno/Kevin Wade/Bo Goldman screenplay is based on the book and classic Paramount film Death Takes A Holiday and ambitiously takes on making the grand statement about living, happiness and death.  There are some great comic touches, some dark comic touches included, violence, corporatism, love, family, wealth and what makes up the character of the individual.  Is it just that it is a film still ahead of its time?

 

Comic performances by Jeffrey Tambor and Marcia Gay Harden are impressive, while Jake Webber is an antagonist who represents the worst of us all.  It is easy to underestimate the film when it becomes humorous and even whimsical, but there is much detail in the remarkably consistent three hours of running time.  It is very mature, intelligent work and this HD-DVD gives it the best chance yet for rediscovery, especially in its playback performance.

 

 

The 1080p 1.85 X 1 VC- 1 digital High Definition image was not easy for me to evaluate.  The previous DVDs looked good for their age, but have not aged well.  There is some grain, but after weighing what a fan I am of the film and sticking to the strict technical aspects to judge the image, it is one of the best back-catalog HDs in either format of films from the 1990s.  The money is on the screen and the sharpness, detail and depth is very much like the 35mm prints I saw of it at the time.  Director of Photography Emmanuel Lubezki, A.S.C., really delivered top rate cinematography as good as any film of the time and this HD-DVD reconfirms that, annihilating the DVD versions.  Add the costumes and production design and one can barely name too many films since that looked this good or rich, thanks in part to the overuse of digital work.

 

We were hoping this would arrive in DTS of some kind or Dolby TrueHD 5.1 mix(es), but we unfortunately only get a Dolby Digital Plus 5.1 mix that is about as good as the DTS from the Ultimate Edition DVD set, but there are some points of distinction not here that I can hear in the DTS tracks.  However, this sounds fine and was a big DTS-exclusive theatrical release at the time.  One of the best mixes of the era, it also features an exceptional music score by Thomas Newman, which was released on CD by Universal Records.  Though that CD was not officially encoded for HDCD playback, it works that way if you are lucky enough to have a decoder and is worth seeking out.  The extras are few, though the Ultimate Edition DVD set included the original Paramount film for comparison.  Though there are more extras on the DVDs, this disc still offers an on location featurette, photo montage and the original theatrical trailer.  Guess the loss of some supplements is the price we pay for the amazing picture quality.

 

 

-   Nicholas Sheffo


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