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Category:    Home > Reviews > Animation > Waking Life

Waking Life

 

Picture: A-     Sound: B+     Extras: A-     Film: B+

 

 

Waking Life, if nothing else, deserves applause for imagination as it combines animation and live action, with a philosophical approach to an ordinary day in the life of one individual in their quest for answers, while mixing realism and surrealism.  One thing that the film certainly has going for it would be its ability to carry the viewer through the world it creates and never become too boring or dry.  It feels like a philosophy class at times, but as it answers questions it also answers some.  It’s never too pushy with some of the commentary that it presents and allows the viewer to experience everything as our main character does.  At times, we almost feel like we are the ones walking through this film. 

 

It’s hard to list all the various topics that the film addresses, but some of them would include what is love, do we chose our destiny, can we control our life, etc.  The film was first shot with live action on video using a Sony DCR-TRV900 and then rotoscope-animated on Mac G4 computers animated overtop before it was finally transferred onto 35mm film.  Since the film was going to be animated over, it wasn’t that important for the original to ‘look’ that stunning, but only to capture the basics.  Animation, music, added voice, and sound effects would be added later, so the basic camera setup, was just to have a framework that already had the dimensions of the real world.  The animation would then allow for that world to be retransmitted with various effects to give it a new dimension.  There is constant motion to the scenery in the film.  The frame comes alive with colors and movement. 

 

The picture quality is extremely pleasing with only a slight amount of softness with the picture.  Colors are very rich with a broad mix of palette giving the film a distinct look.  Waking Life is presented in an anamorphically enhanced widescreen transfer preserving the films original theatrical aspect ratio of 1.85:1.  All the depth can be seen and during one scene in particular, the one with the monkey talking, you can see a clip from Akira Kurosawa’s Dreams in the background.

 

Sound design for this film is interesting and at times subtle, but with constant involvement of music.  It would have been an extra nice surprise for Fox to include DTS audio as well as the Dolby Digital 5.1, but there was no such occurrence.  You can certainly hear some of the limitations with the sound as the low and high end is dramatically cut and rather thin, which DTS would have eliminated this problem. 

 

Supplements are very plentiful on the DVD and quite interesting.  The first is a commentary track provided by over 25 of the films animators.  This is quite overwhelming, but each one is introduced and add a lot of interesting and useful blurbs on the film, the process from which it was made, the effects used, and much more.  There is also text commentary provided, which is more distracting than audio commentary and also more hurtful on the eyes after awhile.  Some deleted scenes were included as well as live-action footage for the viewer to access as a comparison to what the video looked like in live action versus the final product.  These are just some of the supplements that occupy the disc.  Even the trailer is interesting and should have been used more as a marketing tool for this under seen film. 

 

It’s challenging to think of who might like a film like this. Some retailers are even unsure of what category to classify the DVD under.  Is it an animated film?  Should it be in with Anime?  Should it be under special interest?  Or is it just a drama?  Whatever the case it is very interesting and the supplements add yet another dimension and complete this DVD and make it all the more special.  It may not be a film that you can sit through a lot, but it will be something you will most likely revisit time and time again and let good friends borrow.  You may even let not-so-good friends borrow it. 

 

 

-   Nate Goss


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