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Category:    Home > Reviews > Drama > Film Noir > Crime > Politics > Publishing > Filmmaking > Racism > The Samuel Fuller Film Collection (It Happened In Hollywood / Adventure In Sahara / Power Of The Press / Shockproof / Scandal Sheet / The Crimson Kimono / Underworld U.S.A./Sony DVD Set)

The Samuel Fuller Film Collection (It Happened In Hollywood / Adventure In Sahara / Power Of The Press / Shockproof / Scandal Sheet / The Crimson Kimono / Underworld U.S.A./Sony DVD Set)

 

Picture: C+     Sound: C+     Extras: C+     Films: B

 

 

Coming out of the Hollywood Studio System, Sam Fuller is one of the grittiest, most cutting edge, risk-taking filmmakers ever.  Like Sidney Lumet, anyone who makes a film that is street wise or overly political, they are imitating and following Fuller whether they know it or not.  Sony is issuing The Samuel Fuller Collection on DVD with six films he made possible.

 

Ironically, the first five only involve him as writer, not director, but so rich is his work and strong is his distinctive artistry, that he is an Auteur on many levels.  The films are:

 

It Happened In Hollywood (1937) – A spoof of the filmmaking town and a silent star (Richard Dix) who has an amusingly awkward time staying a star in the beginning of the sound era.  An insightful, amusing and sometimes scathing look at the town; it makes a great flipside to Singing In the Rain and deserves serious rediscovery.  Fay Wray of King Kong (1933) fame is the female lead and the very capable Harry Lachman directed.

 

Adventure In Sahara (1938) – A sort of variant on film like Beau Geste and Mutiny On The Bounty, a tough French Foreign Legion Captain (C. Henry Gordon) may not be totally original, but is on the realistic side and makes for interesting comparisons.

 

Power Of The Press (1943) – The first of two films about media power abused and gone wrong, this one is a great (if short) flip-side to Citizen Kane as a mad editor (Otto Kruger) decides he can control everything just by writing up what he wants things to be, no matter how much of a lie or how much damage that lie will do.  More timely than ever, it is remarkable and pulls no punches.  Guy Kibbee, Lee Tracy, Gloria Dickson and Victor Jory also star.

 

Shockproof (1949) – The Noir sensibility of Fuller meets the pre-Melodrama sensibility of director Douglas Sirk in this unlikely collaboration about the deadly love triangle between a woman-out-of-prison (Patricia Knight), her criminal lover (John Baragrey) and her parole officer (Cornell Wilde) who falls for her.  The ending may not work, but the rest of it is very effective.

 

Scandal Sheet (1952) – Fuller’s other take on the newspaper trade is based on a novel he wrote.  When a new reporter (John Derek!) decides to investigate a murder, his boss (Broderick Crawford) is not very happy, especially when he may have something to hide about it.  Rosemary De Camp, Donna Redd and Harry Morgan also star in this exceptionally good thriller.

 

The Crimson Kimono (1959) – Fuller takes the helm in this tale of murder and racism as two detectives (Glenn Corbett of Homicidal, James Shigeta of Die Hard) hunt for the killer of a stripper in Chinatown, but prejudice and their involvement with the same woman will make this anything but a regular case.

 

Underworld U.S.A. (1961) – Cliff Robertson plays a man who joins the Mob to get revenge on them for killing his father when he was a child.  A very effective, uncompromising revenge thriller and one of Robertson’s finest moments, Fuller had also made the transition into widescreen filmmaking with ease.

 

 

All are 1.33 X 1 full frame presentations except for Kimono and Underworld, which are anamorphically enhanced 1.85 X 1 and looking good if not always great.  I expected the later two films to look better given their age and the advantages of anamorphic presentation, but these transfers are not always as vivid as they would be on 35mm film or the inevitable Blu-rays, with grain and/or detail limits.  However, Video Black is pretty good throughout and the older films look like they have never transfers.  All the prints used look clean enough too.  For the record, the Directors of Photography are Joseph Walker (Lost Horizon) on Hollywood, Franz Planer (Roman Holiday) on Sahara, John Stumar on Press, Charles Lawton, Jr. (the original 3:10 To Yuma) on Shockproof, Burnett Guffey (Bonnie & Clyde) on Scandal, Sam Leavitt (the original Cape Fear) on Kimono and Hal Mohr on Underworld.  The Dolby Digital 2.0 Mono throughout is very clean throughout considering the age of the films and work to clean them up seems to have been done.

 

Extras include Samuel Fuller’s Search For Truth with Tim Robbins on the Press disc, the documentary Samuel Fuller Storyteller on Scandal, Curtis Hanson: The Culture Of The Crimson Kimono on its DVD and Martin Scorsese on Underworld U.S.A., making this a must-see, must-own set.  Hope this release encourages others to release their Fuller films.

 

 

-   Nicholas Sheffo


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