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Category:    Home > Reviews > Comedy > Drama > Skits > New York, I Love You (2009/Vivendi Blu-ray + DVD)

New York, I Love You (2009/Vivendi Blu-ray + DVD)

 

Picture: B-/C+     Sound: B-/C+     Extras: C     Film: C+

 

 

It is one thing that we hardly get any anthology films anymore, but to try and do a series of vignettes and hope they hold together on the premise that they take place in a single city is stretching it, even when it is New York City.  New York, I Love You (2009) wants to be like a similar, recent French film, but the ten stories with ten different directors plus an 11th as wrap-around transitions may sport some good actors and mostly good directors, but never adds up to a thing and could have ultimately been shot anywhere.  It even becomes pretentious.

 

The directors are Fatih Akin, Yvan Attal, Allen Hughes (From Hell, Book Of Eli), Shunji Iwai, Wen Jiang, Joshua Marston, Mira Nair, Shekhar Kapur, Natalie Portman (the actress staring in her own segment), Brett Ratner (with the predictably poorest segment of all) and Randall Balsmeyer on those holding pieces.  Nothing is distinctive here, but the cast it sports is impressive enough and they are the only reason to ever bother with this piece.

 

Those actors include Portman, Orlando Bloom, Hayden Christensen, Ethan Hawke, John Hurt, Robin Wright Penn, James Caan, Chris Cooper, Andy Garcia, Eli Wallach, Cloris Leachman, Julie Christie, Burt Young, Bradley Cooper, Rachel Bilson, Shia LeBeouf, Maggie Q, Drea de Matteo, Anton Yelchin (once again surviving another Ratner project) and Blake Lively.  Too bad they do not have more to do or that this did not add up to anything, but besides not being that original, it is once again the bad side of the influence Crash has had on the dramatic films getting greenlit since.  Light years away from Robert Altman, we get yet another adrift project that does not work, no matter the talent involved.  This will probably not be the end of such disappointments either.

 

The 1080p 1.85 X 1 digital High Definition image is shot on the Panavision Genesis HD camera that has become secondary since the RED 4K camera arrived.  That supposedly applies to all the segments, but this is uneven and noisy throughout no matter what the segment.  A few look better than others (notably Hughes’ piece), but the overall look is unmemorable and the anamorphically enhanced DVD is even poorer.  The DTS-HD MA (Master Audio) lossless 5.1 mix is expectedly dialogue-based, with music taking the surrounds up for the most part if at all.  The Dolby Digital 5.1 on the DVD is once again weaker.  The combination can be as flat as the final product.  Extras in both formats include 5 director interviews and a trailer.

 

 

-   Nicholas Sheffo


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