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Category:    Home > Reviews > Documentary > China > Population > Travel > Culture Clash > Baseball > Dominican Republic > Environment > The Iron Ministry (2014/Icarus DVD)/Road To The Big Leagues (2008/IndiePix DVD)/This Changes Everything (2015/VSC Blu-ray)/Top Spin (2014)/Welcome To Leith (2015/both First Run DVDs)

The Iron Ministry (2014/Icarus DVD)/Road To The Big Leagues (2008/IndiePix DVD)/This Changes Everything (2015/VSC Blu-ray)/Top Spin (2014)/Welcome To Leith (2015/both First Run DVDs)


Picture: C/C+/B-/C/C Sound: C/C+/B-/C/C Extras: C-/C/C+/C/C+ Documentaries: C+/C+/B/B-/B-



Here's a new group of documentaries for you to know about...



J.P. Sniadecki's The Iron Ministry (2014) is a dark look at public transportation in China of all things, how despite all the hype of the China of tomorrow, people are struggling there, the trains are filthy and not kept well. The citizens are seen in all varieties and even all classes as they watch their country through the windows of the trains change (like an endless TV show) and not always for the better, so we meet all kinds of people and it is not always a pleasant trip.


The parts that don't try so hard are the ones that work best, but the film takes forever to start (the screen is purposely all black in the beginning for no good reason for more than a few minutes to make a point only the director apparently understands) and we get other spells of pretension that backfire on the project. I could only get through this one once, but it is a document that has its moments and due to the politics of the country, might still get its makers killed or jailed for life.



Jared Goodman's Road To The Big Leagues (2008) is a surprisingly decent documentary on how the Dominican Republic produces the most major baseball players next to the U.S. and the hopes and dreams that brings to the country, though there is also heartache, that makes it the top sport almost on a religious level. It is amazing how much they love baseball and though this runs about an hour or so, is not bad, but it is not as easy a sit if you are not as big a fan of baseball. Otherwise, it is a look at a country, place and people we don't see enough and ought to see more of.



Avi Lewis' This Changes Everything (2015) is the latest documentary about how much of an environmental emergency we are all in and though it may overlap with some other known and accomplished documentary releases in the cycle in and recent years, it is as important and really tells it like it is. Based on a book and shot over a 211-day tour of several areas, we see blatant pillaging and destroying of lands and property of others not even owned by said companies (my favorite is when greedy corporate reps say they will returned the land to 'normal' when they are finished when that land took thousands of years if not longer to form, meaning what they say is totally a lie and impossible to do) go in and could care less.


They go overseas too, expanding the scope of things, but this gets real interesting when a couple is visited trying to hold onto their land as a company (or two) tear up much of the land around them, offering to buy it and piping petroleum through pipes on it. They said no to this company very clearly, only to wake up one morning to find oily water all over their land from a pipeline leak. The news reports it as an 'accident' but it really seems to have been done on purpose to hurt them and punish them for not selling. The condescending behavior on the part of the companies is blatant, ignorant, highly disrespectful and tells us all we need to know of the ignorance and blatant disregard for everything in their way. Thus, you cannot have enough of these documentaries, enough journalism covering this (as our mainstream media has failed miserably to cover all this) and the red alerts in this solid work can never be underestimated!



That brings us to our last entry, Sara Newens & Mina T. Son's Top Spin (2014), which is an examination of competitive table tennis, the big money and skill actually involved in it and focuses on four extraordinarily talented young people possibly going for the Olympics for it. Thus, the 81 minutes (wish this was a bit longer) glides nicely between players Ariel Hsing, Michael Landers, Lily Zhang and some of their highly competitive competitors. If you ever though this was a joke (meaning you likely don't know how to play in the first place), then this is proof otherwise.


We meet them as fans, people and we're lucky to see them be fortunate enough to have true family support, but also be very likable without any phony enhancements and that makes this one of the best sports documentaries we've seen in a while. Impressive and very pleasant.



Finally we have Michael Beach Nichols & Christopher K. Walker's Welcome To Leith (2015), about the small town in North Dakota that use to thrive decades ago via industrial business, but has dwindled down to two dozen for a population. Suddenly, an unknown old man (Craig Cobb) shows up and starts buying property cheap for seeming no reason, uses his real name (the officials never look him up?) and he turns out to be a white supremest trying to build an 'all-white' town to create a 'pure white' colony in the town by taking over the government and establish some kind of separatist state. Crazy as that sounds, that what he and some name hatemongers try to do, but the town slowly fights back and the results are interesting, including one who made the national news for a mass killing.


This runs a very rich 86 minutes and is very well researched, edited and the makers manage to really deliver the story that we (again!) have not heard enough of in the main press, though in this case, some news outlets feel (not always rightly, but somewhat understandably) that the fewer stories about these hate groups and their activities, the better because any publicity is far too much and that may be valid to some extent. However, these people live up to the gun-toting stereotypes and the good people in Leith are to be congratulated for standing up to this insanity.



Picture quality is sometimes rough on all these releases, but the HD-shot 1080p 2.35 X 1 digital High Definition image transfer on Changes has non-HD footage in several places and going for a scope frame in less than state-of-the-art HD hinders the picture quality further. Still, this is the best playback performer, followed surprisingly by the letterboxed 1.78 X 1 on Road, with the next best color throughout. You still get flaws and softness, but somehow, the remaining DVD with their anamorphically enhanced 1.78 X 1 image presentation are too soft and disappointing throughout when they should have all outperformed Road. In all cases, the oldest footage can suffer digital and/or analog videotape flaws, video noise, video banding, telecine flicker, tape scratching, cross color, faded color and tape damage.


As for sound, all have location audio instances that are flawed, but the DTS-HD MA (Master Audio) 5.1 lossless mix on Changes is the best presentation overall, but hardly always uses its multi-channels to their furthest effect. Leith has what should be the next best soundtrack with a lossy Dolby Digital 5.1 mix, but it can only do so much with rough and sometimes dangerously-obtained audio, so with the rest of the DVDs only offering lossy Dolby Digital 2.0 Stereo at best, Road somehow also has the second-best sound as the makers cleaned up the sound the best they could and though not perfect, sounds good under the circumstances. Be careful of volume switching and high volume son all DVDs just the same.


Extras on all releases, save Road, offer Deleted and/or Extended Scenes, with Road still adding three extra interviews and a Behind The Scenes featurette, Changes adds more Interviews and an Original Theatrical Trailer, Spin and Leith add text Biographies and Leith also adds more key Interviews.



- Nicholas Sheffo


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